Music Review: Rosemary Clooney - On the Air - Page 2

With a natural gift that’s evident right away in such classics as Arthur Johnston and Sam Coslow’s “My Old Flame,” and George and Ira Gershwin’s “But Not For Me” from the show Girl Crazy, the wistful and melancholic Clooney gives way to a more polished vibe midway through.  Soon she teases us with “If This Isn’t Love,” from Finian’s Rainbow and the Rodgers and Hart song you can float away on, “Manhattan."  With that, she warms up with the first of a hat-trick followed up by a great delivery of “You Make Me Feel So Young” and an intriguing maternal sounding take on “All the Pretty Little Horses,” which was recorded years before she gave birth to the first of five children with husband Jose Ferrer (whom she married and divorced twice).   

Later, the album moves into some of her most unabashedly romantic tracks like “I’m Only Ambitious For You,” and the slightly shocking “Thrill Me,” which seems to foreshadow her marriage that took place in 1953.  And ending this era of recordings with the sixteenth inclusion, “Too Much Conversation,” it marks a great progression from the sixteen first tracks to the bonus final two. The album ends with “Everything’s Coming Up Roses” and “I Get a Kick Out of You” recorded in 1959 after years of experience as well as personal struggles and battles with addiction found Clooney’s voice sounding far more mature and worldly.  In doing so, it was an awesome decision to break popular protocol of only including tracks from one specific and succinct time-period to illustrate the ways that Clooney had changed with more vocal mastery.  

Yet the sheer gorgeous arrangements and exceptional nostalgic recording made with accompaniment from the Earl Shelton Orchestra in 1951/2 which as the press release stated, perfectly “captures Rosemary as her star is rising,” is a must-own for devotees of the singer whom the late great Frank Sinatra once called not only “a symbol of good modern American music” but one with that “great talent which exudes warmth and feeling in every song she sings.”   

A remarkable woman, she found herself surviving an endless number of personal ups and downs as she stood just a few feet away from her close friend and Presidential nominee Robert F. Kennedy when he was assassinated which led to a very public breakdown. The 1970s found Clooney back on a personal and professional upswing when her good friend Bing Crosby included her in his 50th and final anniversary tour in 1976.  While that same year marked her comeback, it also came sadly along with the death of her sister Betty from a brain aneurysm.  Rosemary, who was always devoted to her immediate and extended family (including her nephew Mr. George Clooney who lived with his aunt during his own rise to fame) created the Betty Clooney Center in Long Beach, California which was a facility dedicated to “brain-injured young adults,” and one that was the “first of its kind in the U.S.”   

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Article Author: Jen Johans

Jen is a life-long film buff frequently dubbed a "Walking Movie Encyclopedia.” While earning a degree in Film Studies, she joined AFI and IFP. A three-time national award-winning writer, Jen also runs her site Film Intuition as well as its Review …

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  • On The Air On The Air

    Vocalist Rosemary Clooney was the archetypal 50s showbiz personality, and her rise to fame was built on her skill as a big band and jazz singer honed during the post-war years allied to someinspired song selection. ...

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