Elsewhere there’s optimistic hope and genuine gospel fervor on “Brothers And Sisters,” while the tender pastoral waltz of “River’s Edge” sounds as honest and earthy as well-tilled soil. “I Can’t Live Without You” is fine until its rather odd ending (as though participants simply lost interest), but the well-intentioned and obviously heartfelt “Independence Day” is a maudlin exercise that borders on cringe-worthy. Atmospheric instrumental interludes (including a brief introductory passage to kick things off, billed as a solo piano piece but featuring subtle contributions from the band) help keep proceedings flowing smoothly, before the bluesy swagger of “Mississippi Grind” brings the party to a raucous end.
King and Chapman are both masters of their respective instruments, with Chapman doubling on bass for a handful. Jim Casson provides powerhouse drumming throughout, and Smilin’ Bob Adams’ harmonica on “Slow Song” is exquisitely evocative. Anne Lindsay’s violin adds a delightfully earthy texture here and there. S’Aida’s all-too-brief appearances are highlights, with Robin Banks and Jay Speziale rounding out the background chorus as and where appropriate.
Were this a less accomplished and impeccably produced recording, the rather weak vocals might not be such an issue. It’s still a generally satisfying outing, with uniformly excellent instrumental work throughout. One can’t help but long to hear someone else singing most of the songs, though …
Article comments
1 - Scott
When did Bill King serve as Janis Joplin's musical director? I am familiar with every aspect of Joplin's career, and she never had an assigned music director. Certainly not in Big Brother or Full Tilt. In terms of her second band, Snooky Flowers and Sam Andrew claim they were in charge of the band, while Nick Gravenites and Mike Bloomfield served as musical consultants.
2 - John Taylor
The information comes from King's own bio...