Music Review: Robert Randolph & The Family Band - Colorblind

I learned long ago not to write a review after listening to an album only once. I have penned plenty of reviews panning an album I later came to love. There are also plenty of reviews bearing my moniker where I professed my undying love for a record only to see it later lose some of its luster.

I have been curious about Robert Randolph for some time and was eager to take this assignment to listen to his new record. Upon first listen, I was regretting that decision. It was not that I did not like Colorblind, I just did not feel qualified to review it. I didn't get it. I could tell there was something there, but I did not know what to make of it. A few days passed. I realized I was not going to be able to put off the assignment forever, so I listened to it again.

This time, something clicked.

There are no fancy words to describe what Robert Randolph & The Family Band does. It's not rock and roll. It's not the blues. I am not well-versed in soul, funk, or gospel but I have a feeling this isn't exactly that, either. Randolph's approach to music reminds me of Beck and Prince. All three share an unapologetic refusal to be shoehorned into one particular genre or style. The analogy well has run dry for me and the only thing I can liken Colorblind to is one hell of a tasty musical stew. Actually, the album is a collection of stews because each track is a different grab bag of ingredients.

The album opens with the explosion that is "Ain't Nothing Wrong With That." Tolerance, diversity, and acceptance have never sounded this cool. I am a huge U2 fan, but Bono's anthems of peace, love, and understanding are usually filled with a serious earnestness. They are still great mostly great songs - they just are not always a hell of a lot of fun. "Ain't Nothing Wrong With That" is an absolute blast. It is energetic. It rocks. It grooves. The stomps, handclaps, and chants make it nearly impossible to listen to in stationary mode. Randolph picks and chooses his places, but when he strikes his sacred steel those lines sting! The female backing vocals and cool organ fills – and how many times has the phrase "cool organ fills" ever been used – add some depth and color to a song already filled with it.

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Article Author: Josh Hathaway

Josh Hathaway is a Sr. Music Editor for Blogcritics. He is formerly an award-winning journalist and broadcaster.

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Article comments

  • 1 - A.L. Harper

    Oct 16, 2006 at 12:43 pm

    Fantasitc Review Darling!

  • 2 - DJRadiohead

    Oct 16, 2006 at 4:00 pm

    Thank you, Ms. A.L. It's a very good album- I listened to it a good bit more this weekend.

  • 3 - Connie Phillips

    Oct 19, 2006 at 4:05 pm

    Congratulations! This article was chosen as an Editor's Pick.

  • 4 - DJRadiohead

    Nov 09, 2006 at 1:44 pm

    I like this album more than I did when I wrote this review. "Love is the Only Way" has grown on me.

  • 5 - El Bicho

    Dec 06, 2006 at 1:54 am

    "refusal to be shoehorned into one particular genre or style."

    Absolutely. We appear to have found the same likes and dislikes. while I enjoyed it, I wanted to be awed and it never rose to that level.

    See him live. I got to catch him with The Black Crowes this summer.

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