I was in college when Tony Bennett played MTV's Unplugged series and remember someone (the insufferable Kurt Loder, perhaps) remarking that Bennett was enjoying a renaissance because college kids were discovering how fuckin' cool Tony Bennett was.
I remember seeing highlights of the Unplugged show and thinking it was pretty cool; there was something about Bennett's croon and swing but I still thought Loder (or whoever it was… I honestly can't remember) was full of shit. What was really going on was guys my age found another weapon in the arsenal to get women in bed. Old was the new new. Bennett had been out of circulation for years. He'd had no hits and was at least two generations removed from Generation X. The metal power ballads of the '80s had lost their potency and could no longer be counted on to be the sonic background for the awkward, lustful, carnal fumblings of Gen-Xers.
I can almost hear the conversation inside the heads of horny college guys. Caterwauling Kurt Cobain had indie cool but wasn't seductive. Tony Bennett, on the other hand… there would be no antidote for that! Perpetual celibacy had dulled my senses to the point I didn't go out and buy the Unplugged CD. Damn it! What was I thinking?
I didn't have the words for it then but what I now understand is the timeless quality of Bennett's music. Actually, I now comprehend both the timelessness and the quality. Bennett had a style that transcended decades; a voice and delivery bigger than the tastes of the moment. Cool never goes out of style because there are only two kinds of music in this world, kids: good and bad and only one of those is worth concerning yourselves with.
The idea of timelessness in contemporary music has been on my mind in the three weeks since Duke De Mondo introduced me to the genius of Richard Hawley after the Valentine's Day episode of the B-Sides Concept Album. Maybe you had an older brother or maybe it was a parent, but sooner or later most of us come across music that predates us and have to admit our arrogant, ignorant youth has blinded us to the fact that good stuff came before us. Hawley was one more nail in that coffin for me and this album was released in 2007. No one makes records like this anymore!
Article comments
1 - Mark Saleski
Day after day I become more and more convinced that the problem with the music business isn't the music, it's the business
i totally agree.
it'll be interesting to see how things shake out as the business itself slowly becomes "something different" over the next decade. will it allow for more good and interesting music to get to hungry ears? i don't know.
2 - Josh Hathaway
I hope so, but I don't know whether or not to expect it or not. I'm not really a pessimist so much as I'm a disappointed optimist.
I really hope some people will check this record out.