Music Review: Ray Davies - Working Man’s Café - Page 2

More typical, however, is Davies’ sly and subtle approach. In the “be careful what you wish for category” lies “Peace in Our Time,” comprised of an ambivalence that, without mentioning Chamberlain-era wartime appeasement, still could have fit into the 1969 Kink concept classic Arthur (Or the Decline and Fall of the British Empire). Similarly, an account of a frustrating parting of the red tape retold in “No One Listen” recalls 1970's Lola vs. the Powerman & the Money-Go-Round, Pt. 1, one of the Kinks most rough-edged and agitation-ridden recordings.

Soothed and smoothed to “Celluloid Heroes” perfection, or perhaps reminiscent of a song from one of the Kink’s ‘70s-era rock operas, the gorgeous “Imaginary Man” suggests some skewed self-identification for an artist perhaps too accustomed to living “other people’s lives”:

    Walked down to Preservation Hall
    Looking for the old trad band
    It was just a momentary glance

    I saw my reflection in the glass
    Watched as the world went flashing past
    I knew the face but could not tell
    Why I couldn't recognise myself

    I am, I am imaginary
    I am, I am imaginary
    I'm the imaginary man…

But escape may not be the way to discovery: “So you headed down south left another home town / Now you don't have the time to think / Who's left behind” in “The Real World.” In Working Man’s Café’s most stellar stand-out — and the most un-Kinked and independently Davies -- Ray offers one of his most heartrending vocals as a solo artist. After he follows the travels and travails of his subject, Davies sums up that “There's a lot of lost souls looking out / For a sign for the real world.”

It’s as if every day, and for over 40 years, Ray Davies still looks at the world from his window, taking notes. Comforting thought, somehow.

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Article Author: Gordon Hauptfleisch

Gordon Hauptfleisch is a Blogcritics Books Editor, freelance writer, and book reviewer for the San Diego Union Tribune. For many years he worked in and managed bookstores and record stores. Email him and he'll stop talking in the third-person.

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Read comments on this article, and add some feedback of your own
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Article comments

  • 1 - Josh Hathaway

    Mar 14, 2008 at 1:27 pm

    I thought of you when I almost picked this up last night. I might have to soon correct myself and grab a copy.

  • 2 - Gordon Hauptfleisch

    Mar 14, 2008 at 5:37 pm

    Grab it. I was surprised an album with such strengths -- especially "Imaginary Man" and "The Real World" -- came along so quickly on the heels of the 2006 album.

  • 3 - Connie Phillips

    Mar 15, 2008 at 2:01 pm

    Congrats! This article has been forwarded to the Advance.net websites and Boston.com.

  • 4 - bill

    Mar 15, 2008 at 4:04 pm

    Excellent review. One of the few that have picked up on the finer, slower tunes. They are worth the price of the record and I have all of them. Keep up the good work!

  • 5 - Gordon Hauptfleisch

    Mar 15, 2008 at 9:50 pm

    Thank you Connie -- much appreciated.

  • 6 - Gordon Hauptfleisch

    Mar 15, 2008 at 10:01 pm

    Bill: It seems to me that the slower tunes, with the dazzling, trademark Davies' melodies, are the perfect showcases for Ray's still-affecting and gorgeous vocals. Thanks for the comment.

  • 7 - bliffle

    Mar 16, 2008 at 12:28 pm

    I listened to about half the songs and I don't know if I'll finish it or not. Frankly, everything sounds recycled and derivative.

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