Music Review: Pet Shop Boys - Yes

In addition to receiving the equivalent of a lifetime achievement award at this year's BRIT Awards, as well as celebrating twenty-five years together as a group, the Pet Shop Boys have released their tenth studio album, Yes. The album finds the duo confidently visiting the unique pop sound that has defined their career over the past quarter of a century.

"Love, Etc." starts things off, and is one of the strongest tracks to come from the duo in years. Thematically, it covers some traditional ground for Neil Tennant: the public's idolatry of fame, something that is echoed in several other cuts on the album. But it's the infectiousness of a well-crafted pop tune that sets it apart.


Another unifying theme for the Boys is musical inspiration that seems to be drawn as much from musicals as it does from mainstream pop. Both "All Over The World" and "Beautiful People" carry its DNA for this album. Unfortunately, the former is the only one of the two using it to satisfying effect. Although a bit camp at points, "All Over The World" is a catchy and sing-songy look at young love, whereas "Beautiful People" takes a more lazy stroll through generic Pet Shop Boys terrain.

And that's a problem mirrored throughout the rest of the record. There are songs on Yes that are as strong as anything the duo has put out, but they are unfortunately matched against some of the most disposable as well. "Building A Wall" is tedious in its plodding attempt at integrating a spoken-word edge to a bland track. "Vulnerable" is at least forgettable, but doesn't generate much stronger praise than that. "More Than A Dream" and closing track "Legacy" would have fared better as perhaps lesser deep cuts, were they not downstaged.

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Lost somewhere in the rolling hills of Tennessee, David R Perry can occasionally be found doing dark, unspeakable things to words. Printed words, spoken words, electronically mangled words... really any kind but twittered words.

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