Music Review: maudlin of the Well - Bath

Bath, released in 2001 by progressive metal band maudlin of the Well (spelled with a lower-case “m”), is an album doomed never to be heard by most people. In fact, it is an album doomed never to be heard by most metal fans. But despite its obscurity, Bath is easily one of the most daring musical achievements of the decade, and I am glad to be one of the precious few that have heard it.

Seamlessly blending elements of metal, jazz, and indie, listening to Bath is truly an otherworldly experience. And perhaps the method in which the album was composed does a great deal to explain just why it sounds that way.

Toby Driver, the singer and front man behind maudlin of the Well’s music, claims they don't even compose their own music. At least, not compose it in the way one would expect.

Driver and the rest of the band use a method called “astral projection” to find their music, already composed, on the “astral plane,” which exists outside the realm of physical existence called spiritual existence. It can only being reached by inducing an out of body experience, achievable through the medium of lucid dreaming. Once maudlin finds their music in the astral plane, they “bring it back” to earth, and compose it as closely as they can translate it.

Whether one belie ves in this or not, the music itself suggests a mystical quality. Bath literally sounds like nothing else ever composed — and the effect is absolutely beautiful, which seems counter intuitive in that it is considered metal. At least, as far as maudlin of the Well goes, "metal" is a very loose term, as much of their music is actually soothing and jazzy.

Maudlin of the Well released their first album, My Fruit Psychobells…A Seed Combustible in 1999. When I first found this album on the Internet, I expected with a title like that, one should expect some pretty weird stuff. And upon first listen to that particular album, I must admit I was equally startled as I was enthralled at what I heard. Like all of maudlin's music, their first album was haunting, beautiful, traumatic, urging, happy, loving, warm, powerful, and mysterious. It is exceedingly rare to hear such emotion conveyed in notes. Ever.

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Article Author: Kyle West

Kyle West is a Professional Writing/History major and a Spanish minor attending the University of Oklahoma. He likes reading, writing, and discovering new music.

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