Before reviewing Marillion's new CD Less Is More, I must confess: I am largely unfamiliar with the group, as they are somewhat obscure in the US. The only exposure I've had to their music is through some UK "Best of the 80s" compilations, which included the singles "Lavender," "Kayleigh," and "Incommunicado." So this review may seem pretty basic to UK readers, but it also serves as an introduction to Marillion for US audiences.
Marillion's story begins in 1979, when five musicians from Aylesbury, Buckinghamshire, England formed the group. Led by original lead singer "Fish" (aka Derick W. Dick), the band pursued a progressive rock sound, heavily influenced by such artists as Pink Floyd and Peter Gabriel-era Genesis. Their biggest success came when they released their third album, 1985's Misplaced Childhood, which contained the aforementioned single "Kayleigh."
After Fish departed the band in 1988, the lineup added new lead vocalist Steve Hogarth, who remains with Marillion to the present day. Since then Marillion has fluctuated between a more pop-oriented sound and the avant garde, at times sounding like a cross between Radiohead and Coldplay. Interestingly they are considered pioneers of reaching fans via the Internet, selling their albums and singles themselves through the web.
In fact, they appealed directly to fans to help fund their 2001 release Anoraknophobia , as Marillion was unhappy with their label at the time. Due to 12,000 pre-orders for the album, the band was able to negotiate a deal with EMI to distribute the work, allowing them to retain ownership of their work without being in charge of distribution.
Their latest release, Less Is More, accurately describes the stripped-down approach; the album could have been titled Marillion Unplugged. Here the band has rearranged some previously released songs for an acoustic, intimate atmosphere. Not being familiar with many of the original tracks, I have to judge the songs based on these new versions. Standouts include "Interior Lulu," a haunting, lovely song made more melancholy by Hogarth's falsetto. Delicate cuts like "Out of This World" are tailor-made for headphones, as some of the subtle acoustic guitar and delicate piano chords could be overshadowed by large speakers. Steve Rothery's guitar is also prominently featured on "Wrapped Up in Time," mimicking Hogarth's voice as it glides over the melody.








Article comments
1 - Triniman
I saw them on the Misplaced Childhood tour, way back in 1985. They were superb back then, in the '80s. I haven't followed them closely for years and what I have heard of their music over the past two decades, has been without the sizzle of their earlier material. They may have released great material, but I've heard mostly laid back, middle of the road sounds from them as of late. Still, I'd see them in a heartbeat and one of these days, I will buy up all the albums that I don't currently own, to give them a fair chance.
2 - Glen Boyd
For those unfamiliar with latter day Marillion with Hogarth, I would point you toward the excellent album Marbles as a starting point. Great stuff.
-Glen
3 - Mark Saleski
i. uh....
never mind.
;-)
4 - Triniman
I'll check out Marbles. I actually interviewed Hogarth shortly after they released their first album with him, Season's End.
5 - Kit O'Toole
Thanks for the additional comments. As I said, I wasn't that familiar with Marillion, but this album was intriguing. I'll check out earlier stuff, as you have suggested.
6 - Paul Roy
Yes, definitely check out Marbles, especially the two disk version. One of my favorite prog albums. All of there concert DVDs with Hogarth are excellent too.
7 - Tom Johnson
I'm going to join everyone else (except Mark - you stay out of it, Saleski!) and highly recommend Marbles as a starting point. The two-disc version has so much to chew on you'll be enjoying it for a very long time. And then immediately go for Afraid Of Sunlight.
I just got my copy of Less Is More and I have to admit I'm more than a bit let down by this. They released a two-disc acoustic live album 10 years ago that was incredible (Unplugged At The Walls,) but this just doesn't even come close. My reaction to Less Is More was, unfortunately, "Marillion got the yawns." It's just rather boring, unfortunately.
8 - Christian
"The Space", a groovy track with jazzy feel, similar to the lullaby-like piano ballad "It's Not Your Fault"? Come on, you can't be serious. Please listen to the music you review here before you start writing.
9 - Kit O'Toole
Thanks again for commenting--I've learned even more about Marillion from all of you.
@Christian: The 2 original versions may sound completely different from each other, but the acoustic arrangements make them sound very similar. Give these new versions a listen.
10 - filltheweb
Marillion are one of my favourite bands, I followed all of their steps and I agree with the choice of the 2 disc Marbles as first listen, but I would add also the last Happiness Is The Road. I'm listening to Less = More, and I find it a little boring, but also intriguing. Still I haven't an opinion, but I definitely prefer the original versions at the moment.
Just for the note, the untitled hidden track is Cannibal Surf Babe, from Afraid Of Sunlight, one of the less appreciated songs from the Marillion fans