Music Review: Laura Cortese - Acoustic Project

Acoustic Project is an eclectic seven track EP for a most unconventional string quartet put together by fiddler, vocalist Laura Cortese. The other musicians are Natalie Haas on the cello, Brittany Haas on the five string fiddle, and Hanneke Cassel on the fiddle. Cortese wrote the music for five of the songs, as well as the lyrics for two.

The varied tracks echo with traditional fiddle blue grass and Cajun influences as well as pop and jazz lines. Lyrics cross genres as well, with nods to traditional folk ballads as in "Wade on In" and pop disillusion in "Overcome." Cortese has a voice that can drip with ironic sweetness or soar with driving passion at times complementing the pulsating strings, at times struggling against them. Her EP is a masterful blend of sound and sense (with apologies to Alexander Pope. Acoustic Project is the work of a true artist.

Two of the tracks are instrumentals: "5 Tune" which features Brittany Haas' five string fiddle and "Du Petit Sarny et Reel a Deux" two pieces in the traditional mode by French Canadian fiddler, Eric Favreau. There are also some nice opportunities for solo work in the arrangements of many of the other tracks.

The traditional "Greasy Coat" ends the EP with a kind of homage to the fiddle's Blue Grass roots. "Women of the Ages" contrasts prettily plucked strings with John Beaton's bleak lyric spoken by mothers who have lost sons, widows, and women who have been left pregnant. "We're the women of the ages," wails the chorus, "wooed to walk the aisles of grief;  / we're the wear on well worn pages / where posterity retraces deeds of men in bold relief."

Corteses' lyrics can be equally bleak. "Overcome" is the quiet assessment of a relationship when the passionate moment is over. The lover has left the bed and remorse has set in. Ironically the singer listens to the traffic "whispering my indiscretion" as the lover gazes out the window looking for an answer that he can't find. "Wade on In" is a seduction ballad that looks back in its dialogue form to the Middle Ages and the Popular Ballad. "Perfect Tuesdays" is a kind of modern plaint over loneliness and sham relationships:

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