These gentlemen work well together, from Lisi’s gravely, guitar slinger baritone to Mathus’ funky ass bass lines and Dickinson’s drumming mastery, which is always solid either on a shuffle or banging out “Tommy gun fast” rumble beats. John Lisi has a powerhouse team of house rockers at his side with these two southern gents. I hope this line-up sticks for the next CD and tour as well.
Speaking of house rockers, the second band from my friends at 219 Records simply call themselves Cashman, after the guitar-, dobro-, and bootbox-playing vocalist Ray. Accompanying him on the harmonica is Grant A. Brown and popping in on bass, stella guitar, and snare for four tracks is our hero Jimbo Mathus.
Cashman has a solid roadhouse blues sound throughout Texassippi Stomp. The vocals are strong and mean as he stomps out beats and picks and slides us into a frenzy on blazing blues rockers such as the opening “Black” or “Whatcha Doing?”
Hitting just as hard and fast are tunes such as “Pistol Blues” and the “Rollin’ And Tumblin’”-inspired “Long Road.” Two more driving blues tunes that give you the feeling of biker bars with “tuff” guys named Sonny hanging around buying drinks and ready to throw down with any one stupid enough to step out of line. While holding these tunes together is Brown’s thumping, driving, train whistle “harp” skills. Each track is propelled forward and crashes into the next by his smoke stack attack
These fellas can slow it down as well and still work you over with low-down tunes like “Reefer Headed Women” and the back porch blues of “Baby” and “Trouble’s On The Way.” “Baby” finds Brown playing his best Mississippi Delta harp while “Trouble’s” got him moving west and sounding like a lonely cowhand at the end of a long drive. Cashman’s dobro playing takes center stage here and adds to the western ballad feel. Hell, these boys should put out an album of tough guy cowboy classics and move some more records.
So there you have it. Two driving and edgy blues albums from an independent label that knows good roots rock when they hear it. So here’s to good old-fashioned “tuff” music that reminds you that one beer bottle is for drinking out of while the other stays half full for bustin’ on heads. Thanks, 219 Records, and keep ‘em comin’.
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