Music Review: Indie Round-Up - Page 2

Part of: New Indie CDs

Telling on Trixie, Telling on Trixie

A solid combination of crunchy rock, power pop, and organ-fed soul, Telling on Trixie's debut album comes out roaring with "Halfway Back to Sane" and "Dumb Boy." The two songs powerfully describe the two sides of the heartache coin. Derek Nicoletto's vocal flair puts one in mind of soulful rock singers like David Bowie and Chris Robinson. He sings with heart and soul and you can still understand all the words. (Coincidentally or not, the long electric guitar notes in the ballad "Orion's Light" and other places resembles Robert Fripp's feedbacking guitar on Bowie's "Heroes.")

On the last two thirds of the album the songwriting starts to get a bit pedestrian. The snaky groove of "Devil's Best Friend" and the plaintively dark acoustic ballad "Your Silence" are something of a return to form. So, while this isn't a great album through and through, the band's best work is excellent and it's no surprise these New York indie rockers are getting themselves some TV licensing spots and prestigious gigs. Check them out at their website or Myspace page.

James Vidos, Bed, Bar & Beyond

For a slice of low-key, jumpy urban angst, James Vidos is your man. The first two songs, "One I Wanted" and "Draw Me a Picnic," are the best; in "Let's Promenade," Weill-like oompah verses alternate with soft, flowery choruses, with Vidos's airy, languid baritone nicely drawing out the vivid, vaguely apocalyptic imagery. Think Nick Cave.

The tunesmithing doesn't always measure up to the meticulously developed atmosphere. As a whole, the material would benefit from stronger vocals too. But for stumbling through the streets of the Lower East Side in the wee hours of a rainy night, this will be a fine accompaniment.

Hear song samples here

Suzy Callahan, Freedom Party for Insects

Feeling extremely white, and slightly weird? Open up your heart to Suzy Callahan's happy melodies and up-front, pretty voice, which mask an ever so slightly twisted sensibility. From the title track: "I watch you but who's watching me? / Not the beetle or the bee / They're all going to the freedom party without me." You never find out what the freedom party is, or represents - you just have to draw your own conclusions.

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Article Author: Jon Sobel

Jon Sobel is Co-Executive Editor of Blogcritics. As a writer he contributes most often to the Culture section, where he often reviews NYC theater; he also writes a semi-regular review round-up of independent music releases. …

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