Music Review: Indie Round-Up - Nackman, English, Means, Handcuffs, Soul Summit

Alex Nackman, Still Life Moves

It took me a while, but I finally thought of who Alex Nackman reminds me of: Peter Frampton. That dates me, of course, as does the fact that Don Henley's solo albums from the 80s came to mind when I listen to Nackman's more keyboard-dominated songs. But on a fundamental level, nothing much really changes in pop music - it's always about writing good songs and putting them across effectively, and Nackman does both, with slightly hoarse yet airy, friendly tones. Though his pop is shiny, there's a rootsy element to songs like "Banking on November," coming mostly from his lead guitar lines. But the dominant feel is shimmery, ideal for his hooky and well-crafted songs. The best of them are in the first half of the CD. "Wait For Me," "A Letter," and "Memento" are all superior, with the last resting on a modern thumping beat; "Banking On November" is a solid if obvious piano ballad, and more good ballads follow. The disc's later songs are less special, but taken as a whole there's a lot of really good work here - definitely worth checking out.

Aaron English, The Marriage of the Sun and the Moon

A rootsy thrum and psychedelic overtones animate Aaron English's progressive pop. There's a noticeable influence of classic big-thinking artists like the Police (and solo-artist Sting), Peter Gabriel, Crowded House, Led Zeppelin, and even (if you get right back to it) the Beatles, with a lot of "world beat" mixed in. As in all good pop, the best of these songs are full of hooks - some of them quite unusual, like the monotonous, growled chorus in "Like Smoke" and the multi-voiced bridge of "Anywhere-End-Up Street."

"Thin Ice," "Crossing the Desert, Crossing the Sea," and the title track are good examples of English's ability to construct ear-catching music and deliver it with feeling and style. His more contemplative songs, while less obviously memorable, create intriguing atmospheres. And he relieves the overall seriousness with a lighter touch just often enough, as in the sad-but-bubbly "God Bless You and Your Man." As a singer, English is not stupendous, but he's good enough, and the music on this disc is consistently fine. Listen at the website.

Article Author: Jon Sobel

Jon Sobel is Co-Executive Editor of Blogcritics. As a writer he contributes most often to the Culture section, where he often reviews NYC theater; he also writes a semi-regular review round-up of independent music releases. …

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