Music Review: Indie Round-Up - Matt Morris, Lee "Scratch" Perry, Asylum Street Spankers - Page 2

Part of: New Indie CDs

"Sinful Fuckers" needs no further explanation.

"Ha ha ha ha," he proclaims sleepily in "Yee Ha Ha Ha." "La la la la / Ha ha ha ha." And so it goes. Light something up and dive in. But look out. As George Clinton intones, "Headz Gonna Roll."

Asylum Street Spankers, What? And Give Up Show Biz?

The busy Asylum Street Spankers are back with a live double CD recorded at a series of concerts in New York City earlier this year. The Spankers are always fun, but they're more fun in person, and this set captures a good bit of the wacky, childish-for-grownups fun that makes their concerts such a hoot.

There's a mix of favorite Spankers numbers ("Beer," "Winning the War on Drugs," "Blade of Grass"), newer tunes, and classic covers like "I Got My Mojo Workin'" and "Since I Met You Baby," all strung together with spit, twine, musical saw, between-songs banter, and silly tales about life on the road. There are even a couple of songs from the band's recent children's album, including "You Only Love Me For My Lunchbox." And don't miss "Hick Hop," Wammo's fusion of country and western murder ballads and gangsta rap.

The Spankers handle blues, old-timey jazz, country, bluegrass, nearly every style you might hear at a postmodern vaudeville show - even a little rock - with equal skill, and a big dollop of silliness that wouldn't work half as well without the high-level musicianship; they make it look (or sound) easy.


Most often I wouldn't suggest a live album as a good introduction to a band, but if you haven't heard the Spankers, and you don't mind a fair amount of banter in between songs, this wouldn't be a bad place to start at all. At the very least it will probably make you want to catch a show when this clever, funny, and well-traveled band of zany gypsies comes to your town.

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Article Author: Jon Sobel

Jon Sobel is Co-Executive Editor of Blogcritics. As a writer he contributes most often to the Culture section, where he often reviews NYC theater; he also writes a semi-regular review round-up of independent music releases. …

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