Music Review: Indie Round-Up for Sept. 7 2006 - Broonzy, Shimabukuro, DiJoseph

Part of: New Indie CDs

Big Bill Broonzy, Amsterdam Live Concerts 1953

Big Bill Broonzy, like Robert Johnson, played but also transcended the blues. Like Mississippi John Hurt, Broonzy - also a Mississippi native, born in 1901 (or possibly 1893, or possibly 1898, but I favor the 1901 theory) constructed his acoustic concerts out of blues, folk songs, and spirituals. Broonzy had been a pioneer of electric blues, but, finding that his white audiences in the 1950s wanted to hear him play in the old folk styles, he obliged.

His spirited, earthy guitar playing, the range of his big voice, and the sheer breadth of his material have insured his place in history as one of the all-time great men of the blues. But few, if any, live Broonzy recordings sound as good as this one, which makes it not just a necessity for completists but strongly recommended for any blues fan.

Broonzy found his most welcoming audiences at that time in Europe. In early 1953, at the top of his game, he played a series of concerts in Holland, two of which were recorded by Louis van Gasteren, who later became a noted filmmaker. The recordings have been known for decades, but never released until now, in this handsomely packaged two-CD box that includes a 48-page booklet loaded with interesting photos, reproduced documents, detailed liner notes, and a new essay by van Gasteren on how the recordings came to be made. Though Broonzy's busy recording career lasted for three decades, a newly available recording of such high sound quality is most welcome.

"If you want to play the blues," Big Bill tells his appreciative Amsterdam audience, "the first thing to do is go to a real music teacher and learn the right way first... then after you leave him, then do everything wrong from what he told you to do, and then you're playing the blues."

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Article Author: Jon Sobel

Jon Sobel is Co-Executive Editor of Blogcritics. As a writer he contributes most often to the Culture section, where he often reviews NYC theater; he also writes a semi-regular review round-up of independent music releases. …

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