Music Review: Indie Round-Up Focus on Fionn Ò Lochlainn - Spawn of the Beast, and live at Joe's Pub

Versatility. It comes in handy in many walks of life, but may be most essential of all in the performing arts.

It's easy to laugh at actors straining to become singers and models desperately trying to become actresses. But they do such things not for our ironic amusement, and not (though it often seems this way) out of pure vanity, but because they want lasting careers in a field where popularity is fleeting. It's not easy.

For the independent musician, versatility is just as important. Burning cooler, he's less likely to flame out quickly, but he pays for his store of potential energy by not making much money. Versatility for him means being able to front his own band today and work as a sideman tomorrow; to perform solo, to write, to play covers or traditional music, and to play multiple instruments - all while self-marketing and hustling. It's not easy.

Yet a performer, whether star or journeyman, needs to make it look easy. The singer, songwriter and virtuoso string player Fionn Ò Lochlainn and his acoustic ensemble did just that last night at Joe's Pub, celebrating the release of Fionn's first solo CD, Spawn of the Beast. A fine artist on guitar, mandolin, piano and vocals, and with a batch of powerful original songs, he will be touring with Billy Bragg in the coming year. Right now, settled in New York, he's promoting his new disc with a January residency at Rockwood Music Hall, which in its brief existence has become New York musicians' favorite small room to play.

For the CD release party, a bigger venue was needed, hence last night's packed show at Joe's Pub. Fionn is one of those wholegrain performers whose work and presence can't be separated. Celtic soul, singer-songwriter acoustica, and Frampton-esque rock star magnetism fuse in his stage persona, a mix that's surprisingly well captured on the CD.

In concert, Fionn's piping rock tenor occasionally plays second fiddle (so to speak) to his zooming handiwork on guitar and mandolin when the latter requires him to look down and away from the microphone. But his generosity as a performer makes you root for him no matter what. Able to masterfully steer a tight band that, amazingly, has only rehearsed once, while at the same time pulling in an audience much of which doesn't know his music, Fionn makes a virtue of multitasking.

Article Author: Jon Sobel

Jon Sobel is Co-Executive Editor of Blogcritics. As a writer he contributes most often to the Culture section, where he often reviews NYC theater; he also writes a semi-regular review round-up of independent music releases. …

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