Another Christmas recording? As certain as the rising of the Christmas tree is the annual release of a plethora of Christmas recordings from a variety of artists and genres. Classical guitar for Christmas? No problem. An accordion fan? Relax to Rudolph on the squeezebox. "Fill in the name" pop star doing the standards? Several available for your choosing. So here comes the Hot Club of San Francisco to add some gypsy jazz from the smoke filled bars of ...uh...San Francisco to the mix?
But relax. Here is a Christmas recording offering something a bit different and worth listening to in the midst of the season. The Hot Club of San Francisco may not be a mainstream ensemble, but they are generally considered one of the best gypsy jazz groups in the U.S. For those not familiar with the genre, gypsy jazz is an acoustic, guitar-dominated format created by the incredible guitarist Django Reinhardt with violinist Stephane Grappelli in the smoky bars of Paris in the 1930s. The name of their group was the Quintette du Hot Club de France, and gypsy jazz groups often attach the "Hot Club" title to their own city. The quintet arrangement holds with the Hot Club of San Francisco which is led by guitarist Paul Mehling and violinist Evan Price, along with bassist Clint Baker, and rhythm guitarists Jeff Magidson and Jason Vanderford.
Mehling's gift as a leader has been to honor tradition while not being afraid of stretching the genre. In this recording he clearly moves beyond the normal library and also employs several guest singers and other ensembles to offer some new sounds. The result is a wide ranging, but solid, recording of a variety of Christmas classics. The quintet takes on Vince Guaraldi's "Skating" from "A Charlie Brown Christmas" and pairs it with the traditional "Carol of the Bells," and then soon jumps to "Baby, It's Cold Outside."
While gypsy jazz music is not afraid of the scorching solos, it also relishes the slow, quiet rhythms of the late night. At times it is a bit too slow ("The Christmas Song"), but when balanced with the moving Applachian song, "I Wonder As I Wander," you can hear the power of the slower sound.








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