Music Review: Groundtruther - Altitude

I'm always amazed at the money that's thrown into cutting-edge science. The investments have given us super-powerful computers, the space shuttle, incredible advancements in medical technologies, and all manner of consumer products. Though I'm not that much of a space buff, the science of the SETI project has always interested me. There's something both inspiring and more than a little creepy about an array of antennae listening for signals coming from extra-terrestrial lifeforms. Maybe someday, we'll find out...

Nah, it'll never happen. Not as long as Groundtruther is in business. After listening to this music, I'm fairly certain that Messrs. Hunter, Previte and Medeski have figured out how to intercept the incoming signals: and the results are being filtered through their instruments.

In fact, I can now reveal that I was lucky enough to attend the recording session. The event's broken down location made me a little nervous, but my fears vanished once I stepped inside.

The three musicians had set up their equipment in a huge abandoned warehouse. Apparently, they've discovered that a cheap & easy way to pick up the signals is to wrap some tinfoil around a big chrome pipe that's suspended up near the ceiling (Shhh...the secret technical term for this is a "Warsaw Radio Mast." Calibration of the receiving mast is quite simple, the tinfoil wrapping just needs to be slid down the pipe in either direction). Some heavy shielded cables snaked from one end of the pipe down to a black box located behind John Medeski's mellotron. Word has it that the box holds a very sophisticated amplifier that properly boosts the incoming waveforms to useful levels. The thing must take a lot of power because fat lines are taped to the floor, running all the way out to the back of the building where several diesel generators are located.

Despite all of this high & low technology, the music is surprisingly organic (and loud!). Much of this is due to the group's collective ability to groove hard no matter what abusive sheets of sound are slung out from the other members — basslines swoop, blirpy noises blurp, guitar figures attempt to respond before decaying into the distance, and the moog drops handfuls of sound shards all over the cracked concrete floor. Those adjectives taken in total might imply a kind of chaos but the music holds together much more tightly than that.

Continued on the next page Page 1 — Page 2

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Article Author: Mark Saleski

Mark Saleski is a writer and music obsessive based out of the Monadnock region of New Hampshire. He has contributed to Jazz.com and also writes reviews for Blogcritics.org. He produces the weekly feature The Friday Morning Listen. …

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  • 1 - Michael J. West

    Sep 25, 2007 at 1:23 pm

    Wow! How'd you get into the session?

  • 2 - Mark Saleski

    Sep 25, 2007 at 1:31 pm

    uhm...i made the whole thing up?

  • 3 - Michael J. West

    Sep 25, 2007 at 2:33 pm

    ...Did you ever realize that something was fairly clear in retrospect and feel really, really silly?

  • 4 - Mark Saleski

    Sep 25, 2007 at 2:40 pm

    yes, my first marriage.

    feel better now?

    ;-)

  • 5 - Pico

    Sep 25, 2007 at 6:51 pm

    "Wow! How'd you get into the session?"

    They mistook him for an extra-terrestrial lifeform.

    *rimshot*

    Lame jokes aside, thanks for turning me onto to this one, Mark. It's every bit as beautifully twisted as you described it.

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