The second disc, "Club" is a total change of pace — personally, I recommend putting this on with the volume cranked up while engaged in large bouts of domestic duties because the energy is just infectious. Sister Bliss is in charge of editing, arranging, and programming the nineteen tracks that appear here which she explains is no mean feat given that it is to roughly represent a typical two-hour set performed live, cut down to less than eighty minutes for a compact disc.
She also notes that to personalise the mix, she overlays some original keyboard parts, samples, and beats. It definitely adds depth to the mix. Transition between tracks is seamless and there are no surprises in this set.
Self-proclaimed Buddhist rapper and DJ, Maxi Jazz puts the third and last disc "Home" together. This is my personal favourite out of the three discs. It is probably because it is reminiscent of living in Britain in the late seventies, early eighties — a time of major political instability and racial conflict (and some very groovy tunes and recreational drug use), for instance the race riots in Brixton. A lot of the tracks have that sound that has influenced UK garage and grime. They also pay homage to musical roots from Jamaica and the West Indies, Africa and reaches as far as the African-American gospel tradition.
While a fellow Blogcritics colleague stated in his review that this compilation was somewhat disappointing, one has to remember that this is more of an anthology or document of Faithless' history, a deeply personal and emotional history. To a lesser extent it also presents a slice of social history, particularly of London in the 1980s and 1990s. It's not absolutely essential to one's collection but it sure is enjoying some frequent listening on this end.
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