Music Review: Exciter, Iommi, Lethargy, Carbon 9, and Connor Christian & Southern Gothic - Page 3

Part of: Marty's Musical Meltdown

Modern, refreshing but approachable no matter how you come at it. Expect big things from Carbon 9 in 2009. Well, if there is any justice in the music scene that is…

Connor Christian & Southern Gothic: 90 Proof Lullabies

To end the column we'll have a nice touch of southern rock for your listening pleasure. This is smirk on your face, hat on your head, and whiskey in your hand rock goodness. From the first track “Sunday Suit” you just know what is on offer. This is in the tradition of Skynrd with a touch of the Black Crowes. The piano tinged goodness of “It’s Alright” just sweeps you into a feeling of getting slowly pissed while this lot bash out their tunes on stage.

Hell they even get rid of the mainstream country ballad “Waiting for Princess” with its lashing of slide guitar and piano. This song could be a huge cross-over hit for this guy if it met the right ears. It has the same vibe about it as “Angel Eyes” by Jeff Healey. It evokes that kind of non-lame not contrived ballad that just nails the genre. Then “Chipping Away” is a touch Sawdoctors with a healthy touch of the Pogues at their most rousing. The booziness of the track just emanates from the speakers. Its almost criminal to listen to this without a drink in your hand.

Having been picked up by Indie film makers for inclusion in sound-tracks this album is full of songs that would work on either TV or movies during “those type” of songs. CC & SG retain that touch of southern bar-room swagger while making themselves approachable by almost anyone. If you like country-tinged/mellow southern rock then this is probably the release of the new year for you. Forget 90 proof, this 100 proof quality.

On that note a trip to the wine rack is in store. See you next time round when I will have another load of new amd new-old releases for your listening ear.

Stay safe, rocking, and appreciate your loved ones for however long you got em’.

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