About ten years ago, singer/songwriter Elisa Peimer tested the waters with the release of her eponymous EP. It was received with critical acclaim and garnered comparisons with the popular female pop/rockers of the time. Since then, she has released three more full-length albums, with her most recent, Pull of the Moon, hitting record shelves last month. After listening to that one, I can confidently state that the praise she has received is well-deserved.
One main characteristic of her songwriting is an undercurrent of hopefulness, even when she is singing about less-than-hopeful situations. Pull of the Moon begins with a song that serves as the introduction to the rest. "Find My Way Home" talks about the search for home, with home as a metaphor for things like love, joy, safety, and stability. The song indicates that she hasn't found home yet, but that she's confident she will eventually. The rest of the songs on the album then alternate between exploring aspects of the beginning of relationships and the end of them, all the while Peimer continues to seek home, in whatever aspect that may mean for her.
The album as a whole has a 1980s ballad rock feel to it. The production is definitely modern and rich enough in depth to stand up to the headphone test. 
It's the arrangements that seem to be fixed in time with straight-forward percussion and lead electric guitar flourishes, and the standard verse-chorus-verse-chorus-bridge-chorus song structure. Often I found myself wondering what an acoustic version with minimal percussion would sound like. There are a few songs that definitely fit the arrangement, such as "Living in a Bubble" and "I Give," but I think many of them could shine even more with less instrumentation weighing them down.
Article comments
1 - John Clinebell
She's got a voice that's really easy to listen to. And the production is nice, albeit very "dry." I think if there was a smidge more reverb on the lead vocal it would be better. The lead guitarist throws down some tasty licks. Yeah, I dig it too!
2 - Elisa Peimer
Oh, the curse of growing up a child of the '80's. Every album I've released has had that "it sounds like the '80's" comment somewhere in the press. Which is just what you have to live with when you were weaned on Styx and REO Speedwagon. I would have been so much cooler if I had grown up in the '70's. Oh, who am I kidding. I probably would have ended up sounding like Debbie Boone.
Thanks for the review, Anna!
- Elisa