Music Review: Depeche Mode - The Best Of, Volume 1

It is my firmly held opinion most people do not have all the Depeche Mode music they probably should. Although really that could be said for many bands, in various genres. Because the average consumer can only reasonably be expected to purchase and consume so much music before they go flat broke. And except for in extreme cases, most humans do not have an entire wall of their home to devote to a small mountain's worth of CDs.

Record labels, in all of their infinite compassion and selfless generosity, understand this dilemma. And their solution is a reasonable one: the best-of compilation. They're geared towards people who might be interested in an artist, but not so interested that they've been keeping up with their proper albums all this time. Casual to moderate fans, we'll call them. And now those multitudes of listeners have such a release for Depeche Mode,The Best Of, Volume 1.

Depeche Mode would seem a great candidate for just such a release. So great, in fact, there have been several others before. Catching Up With Depeche Mode attempted to familiarize U.S. fans with some of their earlier hits, 101 attempted a similar feat with a live setting, and most recently there have been two sets of releases showcasing a more exhaustive best-of for all their singles. And now we have one more. So is this release even worth mentioning, given their proclivity for milking their back catalog?

Actually, yes it is. The Best Of... is the first proper audio compilation of their hits. Their previous attempts, both Singles 81-85 and the double-CD set Singles 86-98, were cobbled together sets of all their radio singles (regardless of whether they were hits or not, in fact, a few of them are dubious selections at best). Not to mention that at three discs, it was two discs too large. And they were meagerly loaded discs at that. All told, consumers were expected to buy too many discs at too high a price, to receive too few necessary songs.

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Article Author: David R Perry

Lost somewhere in the rolling hills of Tennessee, David R Perry can occasionally be found doing dark, unspeakable things to words. Printed words, spoken words, electronically mangled words... really any kind but twittered words.

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