Music Review: Children of Bodom - Blooddrunk - Page 2

I have not heard any of the band's other releases for comparison, but there is something that just draws me into this release. It is a wild combination of technical skills with raw energy that just works really well. I do not think this is a great album by any stretch, but it is eminently listenable.

A good example would be the opening track, "Hellhounds on My Trail," which is easily one of the better tracks. It opens with an insanely fast guitar riff that takes you from 0 to 60 in about two seconds flat, before settling into a technically sound riff that surges forward with the help of driving drums, solid bass, atmospheric keyboards, and the blood-curdling vocals, not to mention the underlying melodic nature of the music. As if that forward surge was not enough, toss in guitar and keyboard solos and you get a package that is well worth your time and is sure to get the adrenaline flowing.

There are a number of tracks to focus on when giving this your first listen. The title track begins with a nice keyboard line that adds a melodic undercurrent to the pure thrash guitars. "One Day You Will Cry" has a great riff to lead you through a song that alternates the thrash with strong melodic portions. "Tie My Rope" has an old school thrash (with keyboards) feel that is sure to get your head banging. Now, I just love the guitars in "Done with Everything, Die for Nothing," besides having a great title.

The version of the album I received also includes a hidden track, a cover of Stan Jones' "Ghostriders in the Sky." Considering its country music roots, it is interesting to hear this metal version. I am pleased to report that it works, it is pretty wild too.

Children of Bodom have crafted a fascinating collision of American inspired thrash with more European sensibilities involving black metal and melody. The sound defies classification by feeling at home in a few different areas, but in the end, the music itself, and not the labels, is what counts. There is a vibe reminiscent of '80s-era thrash that makes the music seem familiar, while all of the other influences update it for the world stage, giving it stronger relevance in the modern scene.

Article Author: Chris Beaumont

Christopher Beaumont spends much of his time writing about music and movies when he isn't indulging in them. He is always ready to talk about his favorite form of entertainment and offer up recommendations. Follow: Twitter and Tumblr. Visit: Critical Outcast. …

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