Ferry’s Dylanesque is odd. I keep listening to “Baby Let me Follow You Down” but first, the music is too up-front, by which I mean it’s too present. Ferry’s voice in the background quivers like a jellyfish left stranded on the beach, as if he is shimmying his way through the song while singing to create what amounts to a ghostly sound, and I do not mean “ghostly” as in “hauntingly beautiful” or some such ad copy, I mean “haunting” as in he sounds like a ghost that would go “Booo” or a child’s impersonation of a ghost. Just play Bryan Ferry’s “Baby Let Me Follow You Down” and there you have it. The song quivers too much when it should rock.
Or maybe this is Ferry’s version of rock? It’s certainly his version of Dylan. I never thought of Ferry as “rock” anyway. New wave was more like it. That’s how Roxy Music struck me and that’s how Ferry remained in my mind. “Slave to Love” is a great song and perfect for Ferry. Ferry is best doing Ferry. He, too, has an almost inimitable style (much like Dylan, I think) so here we have one artist who would be near impossible to imitate covering an artist who is difficult to cover.
Moving on... “The Gates of Eden” seems too slow here, even though it is probably about the same speed as the original, with the harmonica in the far-off background (or is that a synth?) that lends the song an other-worldly feel. I feel like I’m standing near a cemetery somewhere with a howl of mist about my feet facing some prophet who is about to tell me my due, and maybe that’s the whole point of the song, but I prefer Dylan’s version which is slow, yes, and melancholic as well, but less… well, less absurdly tragic, which Ferry is almost famous for, sweeping that lank black hair off of his face as he swoops back with one of his “uh-ooo’s..” (you know what I mean) which again, work in songs like “Slave to Love” but not here. It works in "Avalon". There is no room for melodrama here. Drama perhaps, but melodrama, no,and there is a world of difference between the two.
“If Not for You” isn’t too awful, it just sounds like an old man singing the song, and go ahead and tell me how old Dylan is, but so what? He again has adopted a new style, but we’re looking at covers of the original versions.
Article comments
1 - Bill Sherman
Bryan Ferry has tackled Dylan in the past: one of the highlights of his first solo covers album, for instance, was his rollicking version of "A Hard Rain Is Gonna Fall" while the more recent Frantic contained versions of "It's All Over Now, Baby Blue" and "Don't Think Twice, It's All Right." I still recall the howls of dismay from many Dylan lovers in the 70's over Ferry's campy use of a cooing female chorus on "Rain," but without having the vaguest idea whether this is true, I've always imagined Dylan himself getting a small chuckle over it.
2 - Holly Hughes
I think it is the mark of a great songwriter that other people can sing any of his songs, do something different with it, and come up with a whole new and interesting recording that ALSO works. So what if it's not "better" than the original -- if it succeeds on its own terms, then I say "Bring it on." I hear what you say about the writer giving it the definitive interpretation, but then that's like saying the only company that should ever perform Chekhov or Shakespeare were the troupes they originally wrote their plays for. Once the muse has visited, there may be dimensions to the work that even the creator could be unaware of.
Having said that -- I haven't heard this album and I cannot imagine Bryan Ferry doing a creditable job on these great Dylan songs. Maybe he should have stuck to less well-known tracks where the temptation to compare isn't so strong.
3 - sadi ranson-polizzotti
author's note: since i wrote this i have heard a couple more Dylan covers and one that stands out because i didn't expect it and rather like it is "Knockin On Heaven's Door" by Avril Lavigne, which i only recently heard and came as a surprise. It's good because her take is so different, in the way that Margo Timmins interpreted "Sweet Jane" - the same song enough, but still maintaining the original integrity of the song.
Doubtless there are many others. The main point I wanted to make here was that in my view, Ferry did not pull it off. Others have and have done so well, and we alll know that Dylan has written songs for others and performed with Johnny Cash etc. - all of which was good - but the Dylanesque album just didn't work for me.
I'd be curious if any other Dylan people out there like it or to hear another take. I must be missing something here, but then, i don't know how the record is selling. As with most things Dylan, it will probably sell well for it's commercial value, but i expect simply be for collectors and not much listened to - i could be wrong. Am I?
4 - sadi ranson-polizzotti
Hi Holly: you and i don't disagree... as i said, there are many great Dylan covers and even great songs that Dylan wrote specifically for others to perform. IT would be absurd for just Dylan to do Dylan (even if I personally am mostly a purist, there are covers i really like a lot.... ).
The main point here was to review "Dylanesque" and i like Ferry - a lot - but in this incarnation, he fails, or flops or whatever you want to say... it just doesn't work - and that's too bad because i wanted to see him succeed, so i was rather looking forward. The trouble was that Ferry didn't allow himself to be just Ferry; he tried to be something else (i don't know what to call it other than "not quite on the mark") -
Yes, you're totally right about Shakespeare, same with Alice in Wonderland and Lewis Carroll adaptations - which are endless - we need or want differnt interpretations and some are simply amazing and take us far from the original and may even be better but they are by definition derivative or interpretive which again, is all good - i just wish Ferry had done a better job. I was on his side...
oh well.
but we agree, you and I.
5 - Steve
Interesting article, Sadi. I wondered what that album would sound like. Have you heard Simply Red's version of "Positively 4th Street" from their 2003 album "Home"?? Just curious.
6 - sadi ranson-polizzotti
hey Steve - I actually haven't heard the Simply Red version (remiss of me, since i like Simply Red a lot) - i'll go forth and seek. Is it good? If you like it, then i likely would as well... There are many excellent Dylan covers out there, i just didn't feel that Dylanesque was particularly good. Ferry is good as Ferry... and i really like him, but i don't like him doing Dylan... maybe Dylan does, but i don't. I actually wonder what Dylan thought of the covers but rather assumed he was okay with it otherwise maybe he would put the kibosh on it but who knows... at the end of the day, Dylan is commercial like anyone, witness his advertisments etc and that's fine... he never claimed to be anything more than that. Song and Dance Man, i believe....
7 - Steve
Funny you should ask that about that tune, Sadi...when I loaded my CD collection onto my computer, I tried to limit the tracks to those I enjoyed and were familiar with, in order to fit into the memory capacity of the computer. Alas, the track you asked about was not one of those, so I'll have to dig it out and listen to it sometime the old fashioned way lol.
8 - Steve
Re. the Simply Red version of Dylan's "Positively 4th Street", Sadi, I finally got around to listening to it...it wasn't bad, but you sure could tell it was written by Dylan lol.
9 - Steve
Hey, Sadi,
Long time no hear (over a month)! Any idea when the next List Of The Moment will be??
10 - Steve
Sadi,
Just wondering if you have heard the latest re-recording of the Bob Dylan tune "You Go Your Way (I'll Go Mine)" by producer Mark Ronson (of Amy Winehouse fame among others). He apparently turns what was a folk tune, into a soul tune. Due out Oct. 1st, it can be found on a site bearing Dylan's name so I assume you know it already (don't know how to do links so I would rather not spell it out here!!).
Let me know what you think when you find it!