Music Review: Billy Cobham - Flight Time - Page 2

Author: RealistPublished: Oct 13, 2006 at 8:36 am 1 comment

But Flight Time isn't just a recital of instrumental show-off technique. The compositions themselves rate attention, especially "Antares", a roaring whitewater river of melody flowing across unorthodox rocky cadences before cascading into the delta of Finnerty's hyper-drive ocean of jazzed-up rock licks, one of Cobham's favorite environments to display how he can push a soloist to greater heights with his powerful drumming without dominating the journey. My personal favorite track of the CD.

But no Cobham compilation is complete without an exhausting display of high-energy. "JackHammer", a Finnerty composition, allows Cobham to demonstrate his almost-mechanical pulse drumming, taking such chances with his cadences one is sure he will miss the downbeat, and yet he always lands on his musical feet without missing a note, bassist Landers hard on his heels.

Finnerty himself soars higher on "JackHammer" than at any other time on this CD, as if his thoroughbred Les Paul guitar knows that the band is headed toward the barn and a full feed bag, racing ahead to the finish line completely unrestrained with the rest of the band in tow. It leaves me breathless every time I hear it, and I want to cheer along with the audience as it ends.

For me, Flight Time is a return to my forever, a time when even creative excess had potential for greatness as one soared with eagles after a night of mingling with dancing turkeys.

Highly recommended.

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  • 1 - duane

    Oct 13, 2006 at 12:03 pm

    Nice writeup, Realist. Cobham is, as you say, a monster drummer. I recently read an old interview with (as I recall) Jeff Berlin, one of my favorite bass players, where he comments (I'm paraphrasing) that Bill Bruford (who is my favorite drummer) was heavily influenced by Cobham, but always felt like he would be in Billy's musical shadow. That impressed me no end.

    I had the privilege of seeing Cobham's funky fusion band in a small venue (circa 1980) and was just knocked out. Those were the days when I, too, was playing in a pop/disco band six nights a week, and felt like I needed to be cleansed by good music. God, it reminds me of what a musical morass the world was in back then, and I'd rather forget about it.

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