The single “So Sublime” is almost lightweight in comparison, but has achieved its goal in gaining Beth some much-deserved airplay. A further cover, this time Billy Sherrill’s “Almost Persuaded”, brings us back to firmer ground, whilst again placing her remarkable voice centre stage against a rich gospel backdrop.
It is during the gospel material that she really shines. Tracks such as “Only One Cloud” are a prime example of her ability to sound mature far beyond her years. The atmosphere within this track is tangible, thick with the redemptive suffering of blues gospel.
“You Never Called Me Tonight” has Beth sounding upbeat despite the song’s theme of romantic disappointment. “Beautiful Tomorrow” is an up-tempo blues number soaked in gospel atmosphere. “When The Rains Came” underlines that this is a voice to hold on to, and one I look forward to hearing much more from. “Oh My Life” takes us back to those Springfield comparisons, in this case the heavy legacy is well deserved.
The album’s production is split between Steve Power (Blur), and the Kevin Bacon and Jonathan Quarmby partnership whose credits include work with Richard Hawley amongst others.
On the strength of Little Dreamer, Beth Rowley is most definitely a name and a voice to remember. She has earned this position through some high quality, enthusiastically received live performances during which she shines powerfully.
Little Dreamer represents the start of an exciting career. If there is still any justice left in the music world, then Beth Rowley should be a household name very shortly. Catch up on the impressive talents of Beth Rowley at her official website or have a listen on her Myspace page.
Article comments
1 - Mark Saleski
i totally love this record. "Nobody's Fault..." hooked me from the very first listen.
2 - Jeff
Hi Mark - yep likewise - Nobody's Fault is something else - really impressive album.
Jeff,
Happy New Year !