Music Review: Bennie Maupin - The Jewel in the Lotus - Page 2

"Song For Tracie Dixon Summers" moves along similar lines, though a little healthy tension is built up front as Buster Williams opens with a long bass solo that the group suddenly leaps upon. Later, as phrases are extended, the entire group drops back allowing enough space for fragmentary piano figures to provide a path to the next group statement. There's a great Downbeat magazine quote about this album — "A more selfless album is hard to imagine" — yes, that's exactly right.

Given the high-powered lineup, it would have been a little disappointing if Maupin had never let the group run free. Thankfully, "Mappo" shows a more driven and free side of this group. Featuring trumpeter Charles Sullivan early on and then switching to Hancock later, this long suite fits a maximum hunk of percussion beneath, under, and on top of each melodic segment. It's very reminiscent of Pharoah Sanders' "Astral Traveling," with the group's free play first implying and then finally constructing a theme. For a short while, it seemed like coherence would never be attained as the music was allowed to devolve into chaos. Not quite!

Again, why was this record out of print?

Honestly, it doesn't matter. The wrong has been righted, and now the world (minus those lucky vinyl affcionados) can finally hear the truth: that Miles was (almost!) never wrong.

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Article Author: Mark Saleski

Mark Saleski is a writer and music obsessive based out of the Monadnock region of New Hampshire. He is an editor and writer for Jazz.com. He also writes reviews for Blogcritics.org and produces the weekly feature The Friday Morning Listen. …

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  • The Jewel in the Lotus The Jewel in the Lotus

    Bennie Maupin was one of the first musicians to record for ECM, playing on a Marion Brown record in August 1970, when the label was just a few months old. Born in Detroit in 1940, Maupin was encouraged ...

Article comments

  • 1 - Pico

    Nov 13, 2007 at 1:07 pm

    100% agree. Maupin fold in his stints with Sanders, Miles and Mwandishi into something entirely his own. Sadly, he didn't follow up on this uniquely oblique style, The Jewel In The Lotus remains a one-of-a-kind release. I was reminded of that missed opportunity just the other day listening to "Palm Grease." He was destined for so much better than that (although he might argue he had bills to pay).

  • 2 - Mark Saleski

    Nov 13, 2007 at 1:18 pm

    i remember liking some of his more recent stuff...Penumbra being one of them.

  • 3 - Pico

    Nov 13, 2007 at 1:31 pm

    Oh yes, he has other good records, they just don't quite reach the artistic heights of Lotus, IMO. Although Driving While Black sounds like the closest thing to a latter-day Mwandishi album out there.

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