Since Hurricane Katrina, interest in traditional New Orleans music has surged, and Hodes' work provides an education and homage to the passion and emotion of the form. “Ode to Louis Armstrong” features a heartbreaking version of “Do You Know What It Means to Miss New Orleans,” with Hodes' deft playing becoming a lament to the man and the city. “Ja Da” illustrates Hodes' skill at incorporating jazz and blues into a rhythmic mix (accented by Parham's intricate bass). Parham also shines on “Tin Roof Blues,” with his walking bass lines providing the anchor to the song. The mood turns lighter on “Panama Rag,” with Trottier's trumpet leading the band in a joyful Dixieland journey.
“Struttin' with Some Barbeque” also features Hodes' deceptively simple playing, with Defaut's clarinet-infused melodies intertwining with the piano's rapid rhythms. No New Orleans tribute would be complete without “Basin Street Blues,” and Hodes leads the group in a simple, mid-tempo version that (like “Ode to Louis Armstrong”) transforms into an emotional ode to not only the music, but musicians like Defaut that were early architects of the sound.
Up in Volly's Room may not break new musical ground, but it serves as a testament to New Orleans and its profound influence on jazz. The reissue also highlights Hodes' often-underrated skills as a pianist, and the magic that can happen when musicians in top form come together to perform music they dearly love. While listening to New Orleans originals provides the ultimate introduction to Dixieland, this CD further educates listeners in its classic sound. Pick up Up in Volly's Room and receive a master class in New Orleans culture and exemplary jazz piano. I know that my late friend and teacher would approve of this resurgence of interest in Art Hodes' artistry, and I thank him for introducing me to it over 20 years ago.
To learn more about Art Hodes, visit his All About Jazz and All Music Guide artist pages.
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