And in his most recent offering—incidentally, one that I wouldn’t hesitate to call his best since Romanza—Bocelli pays homage to the music that has affected him the most by serving up a roster of “tunes [that] are classics, because they’re masterpieces," as he told Decca. Hitting shelves on November 4, 2008 in both CD format as well as a gorgeously boxed deluxe limited edition CD/DVD package, Incanto is comprised of fourteen unabashedly romantic and historically significant tracks. A personal tribute “to the great tenors he has admired his whole life,” as Bocelli revealed in the Decca notes, the album which coincides with Bocelli’s fiftieth birthday was compiled as a way “to make an album of all the songs I remember from my earliest childhood, the music of my roots.”
Whether it’s in his fond recollection of the way that as a young child, Bocelli was initially moved by the romantic songs performed by Mario Lanza in his first experience with opera as he reveals on the DVD or in his revelation that “whenever life gets hard, this music helps me carry on,” it’s easy to get caught up in the singer’s passion for his material. Astutely observing that in addition to love, the music is made up of two vital ingredients—“sun and sea”-- as the Neapolitan climate gives people the optimism to sing, Bocelli shares that every track comes from the Mediterranean and has been covered by everyone from Elvis Presley to Caruso.
In a selection of “songs to celebrate the triumph of life and love,” including love for a place, progress, women (mothers or lovers), the works that comprise Incanto illustrate the spirit of “a country like Italy that never gives up, despite the wounds and grief inflicted by war,” as the DVD reveals. The CD begins with “Un Amore Cosi Grande,” a grand collaboration between Bocelli and singer Veronica Berti that translates to the English title “A Love So Great,” setting up the romantic premise of the album, with terrific orchestration.
Additionally, the track is featured on the companion DVD of the Deluxe Edition, set to a music video celebrating famous romantic relationships of the ’50s and ’60s in just one breathtakingly photographed and edited piece that comprises the roughly thirty-minute documentary that contains rare and priceless footage chronicling a century of Italian history with particular emphasis on archival film footage from the 1950s and ’60s (including candid photos and clips of Elizabeth Taylor, John F. Kennedy, Sophia Loren, and others).








Article comments
1 - ADRIANA
THANK YOU FOR THE WONDERFUL REVIEW OF ANDREA BOCELLI'S NEW CD/DVD, INCANTO.
HE IS INDEED THE BEST AND CERTAINLY THE VOICE OF ITALY AND ITALIANS EVERYWHERE. HE SINGS WITH HIS HEART AND SOUL. A SPECIAL GIFT FOR US ALL.
2 - Jen
Thank you for taking the time to read the piece and for the incredibly kind words. :)
3 - Carole
It's so nice to read such a complimentary review of my personal favorite singer. The man has a talent that few people in this world have can only dream of being blessed with, and yet he's so often reviewed so unjustly. Reading your review was a joy! Thank you!!
4 - Jen
Thanks so much, Carole. I agree-- I was so surprised that there was a big backlash by opera purists when it came to Bocelli. He's introducing listeners to such great music that I didn't think that would be a negative. If anyone is looking for bonus photos or samples of the music, click on the URL in the above line for a fun widget and exclusive pics I posted on my site in my reprint of this BC article.
Thanks,
Jen
5 - Bobbi
It was such a pleasure to read your review of Andrea Bocelli and his latest CD, "Incanto". He has an amazing voice, and is a wonderful man. He does not deserve the derogatory reviews that he often receives.
6 - kevin
my wife speaks italian so translates the lyrics to me as bocelli sings them.it conjures up such an amazing mental picture as she describes the highs and lows of his songs.lovely words sang with a true passion.
7 - Kŗemilek
Andrea Bocelli certainly is one of my favourite singers. Enjoyed his "Sacred Arias" immensely.
Unfortunately, in "Incanto" he is overdoing it, trying to sing outside his own capacity. He has never had a big "opera" voice and while he was minding that, he was very enjoyable. Here he is singing as if he had Pavarotti's vocal range and power at hand. He has not, and so the performance is strained.
Sorry, Andrea. Please tune down a bit, and I'll be shedding a tear or two listening to you again.