In the booklet which accompanies the DVD release of Dream Of Life, filmmaker Steven Sebring describes the Patti Smith he came to know while making the film as essentially two different people.
"She had been this really sweet, almost innocent, interesting woman," Sebring explains. "And then at Irving Plaza, she was raging, spitting music, and spewing poetry. It was fantastic."
Playing as often as a visual and audio collage as it does as a documentary, Sebring's film about Patti Smith captures the essence of this iconic artist beautifully. It jumps around quite a bit between both times and places, but still manages to paint a picture that is as equal parts abstract and beautiful as the work of the icon herself.
In fact, in some of the film's best moments, Sebring's unlimited access to Patti Smith provides a rare and often intimate look into the personal life of this legendary artist. We not only see Patti Smith as the iconic high priestess of punk-rock poetry — we also see her as a mother, a daughter, a wife, and sadly as a grieving widow.
Patti Smith's story is already well known to fans and students of rock history. During the mid to late seventies, she made a string of four great albums, beginning with her classic debut Horses, and ending with Wave, before dropping completely out of sight for several years to move to Detroit, marry MC5 guitarist Fred "Sonic" Smith, and start a family. In the mid-eighties, she briefly re-emerged with the album Dream Of Life, only to disappear again for another several years.
Sebring's film essentially tracks Patti Smith's life following the death of her husband in 1994. While his journey as a filmmaker begins there, it ends up lasting for the next eleven years and gains him unprecedented access to Patti Smith's life both on and offstage. By then Patti Smith has returned full time to live performance and recording — this time for good.
With Sebring's unlimited access, we not only see the poet, the rock star, and the activist. We also see Patti Smith in her most private moments, which have unfortunately been overshadowed by death within the past ten years or so.
In addition to losing her husband, the film reveals Patti Smith dealing with the loss of her brother, friends like artist/photographer Robert Mapplethorpe, and even the keyboardist in her band. A significant amount of the film is shot at grave-sites, including those of her husband, as well as those of poets like Rimbaud and Brecht, where she makes frequent pilgrimages.
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