Rarely has a record been anticipated with as much hype as M.I.A.'s excellent debut Arular was before it was released in March. It was a little over a year before the record officially dropped when her first single "Galang" hit the internet, followed shortly thereafter by "Sunshowers", and "Fire Fire", and the web was buzzing with news of an exciting and original new voice.
Since then, much has been made, and rightly so, of Sri Lankan MC Maya Arulpragasam's eclectic mix of styles, mashing together everything from dancehall to American hip hop, electronica, and Brazilian favela, as well as her mix of cultures from London party girl sass, Indian and Sri Lankan slang, to New York and Philadelphia tough. It's a heady mix, and one that gives the notion of "World Music" a new and throughly postmodern relevance, that M.I.A. rocks with remarkable self-assurance.
Even more compelling, though, is her mix of theme and tone. Arulpragasm told Nirali Magazine that she "...wanted to see if [she] could write songs about something important and make it sound like nothing," and it's in this effort that her record succeeds most brilliantly and packs the biggest punch. It's only on the 5th or 6th listen to the smooth, partying "Sunshowers", that has you groovin' along to "I bongo with my lingo/I beat it like a wing, yo", before you notice that it's about a man being executed for associating with Muslims, or catch lyrics like "like PLO I don't surrender." There's as much violence on this CD as there is party, and there's a lot of party.
While it seems like that kind of combo could be off-putting as recounted here in text — and the notion of dancing to songs about third world guerilla warfare, poverty and prostitution might seem a bit unappetizing — in M.I.A.'s sure hands it amounts to a kind of clear-headed, unencumbered realism; or a lack of squeamishness about what's actually taking place in the world. There's everything to be said about getting these issues into people's ears who might never otherwise know, and Arular is just the right amount of unsettling to a comfortable American like me, who is, even as I type this review, consuming a $4.00 cup of coffee.








Article comments
1 - Deanna
Very nice review. This record roolz.
2 - Kate
Great review. As always, I really enjoyed your take on the artist and the music.
3 - sydney
I got this album because of all teh rave reviews and to tell you the truth I don't find it as catchy as the praise suggests.
I do appreciate that its an orriginal blend of musical genre and seemleslly blends difffernt musical genres into tight song. But...I just find that there is cooler dance music out there... though not much.
I have to admit though that I'm not a dance music guy. I listen to depressing alternative music and so I havent a finely tuned ear for this shit.
Mind you I am a follower of he UK garage scene and so I do have other albums along these lines.
My main beef is that its just not as catchy as I hoped and when it is catchy I find it to be catchy in a mini-pops sort of way... lke you can see the hook comming from a mile away.
I'll give it a few more tries. good reveiw. I recommend Dizze rascal albums though if you like this sort of sound..
4 - Lankan
Never heard the record but reading this review makes me wanna listen to it
5 - Jaffna MF
I bought this.This is big SHIT.I want my mony back.