Making Time For Sir Mix-A-Lot - Page 3

Part of: Call Me Shockmaster

After exchanging some old war stories about the days at Nastymix (such as the way Mix-A-Lot announced to both staff at the label and to the rest of the world — through a bold double-paged ad in Billboard Magazine — that he was leaving to launch his own Rhyme Cartel enterprise), it was time to get caught up on the present.

In one more quick war story though, Mix recalled our own relationship, and the first time I criticized one of his songs — the title track to his debut album Swass. "Glen was always real nice about telling me something sucked," Mix laughed. "'Swass' was the song I wanted to push, but Glen wasn't hearing it. He was all about 'Posse On Broadway,' and he was right."

Just as I was soaking up this unexpected praise from my old friend, however, Mix nailed me cold. "The only thing is, when The Pussycat Dolls used part of "Swass" (for their mega-hit "Don't Cha'"), that's what paid for this house." I guess even the Shockmaster can get it wrong every now and then.

In fact, artists like the Pussycat Dolls and movies like the Charlie's Angels remake (and Cameron Diaz's famous scene dancing to "Baby Got Back") are exactly what has kept the Sir Mix-A-Lot brand fresh in the minds of music fans for all these years — ever since the 1993 smash became that year's second-bestselling single (Only Whitney Houston's "I Will Always Love You" outsold it).

Always an astute businessman, Mix-A-Lot's choices about how that brand is marketed and represented have always been paramount. He says he's been blessed too many times over the course of his life and career to chalk it up to mere chance. Which is why these days, Mix-A-Lot takes nothing for granted — especially the brand.

"The main thing is I have to have creative control. And don't think I haven't been offered reality shows," Mix-A-Lot said. "But when we did the Burger King ads, that was the first thing they said — it's a good thing you didn't do those reality shows, or we wouldn't be here. But Burger King was great to work with. They left me alone and let me do my own thing. Target was the same way."

What Sir Mix-A-Lot wants more than anything else these days, however, is to be recognized for his talents outside of the limelight — producing and working with other artists. To that end, he has relaunched his Rhyme Cartel label and is working with a group of artists, including rapper E-Dawg, hybrid rocker/rapper Outtasite, and neo-soul singer/songwriter Tomeka Williams.

Continued on the next page Page 1Page 2 — Page 3 — Page 4
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Article Author: Glen Boyd

You'll find Blogcritics music editor Glen Boyd sharing his Thoughtmares on his personal blog The Rockologist. Glen is also the author of Neil Young FAQ, published in May 2012 by Backbeat Books/Hal Leonard Publishing.

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Article comments

  • 1 - Mark Saleski

    Nov 25, 2009 at 2:42 pm

    wow...glen boyd, video star!

  • 2 - Glen Boyd

    Nov 25, 2009 at 2:54 pm

    LOL...thanks Mark. I'm a man of many talents...

    -Glen

  • 3 - Mat Brewster

    Nov 25, 2009 at 2:56 pm

    How did the Rockologist wind up promoting rap stars?

  • 4 - Glen Boyd

    Nov 25, 2009 at 2:59 pm

    Funny you should ask, Sir Brewster. The answer is forthcoming in the next installment of "Call Me Shockmaster." Stay tuned...

    -Glen

  • 5 - Christine

    Nov 25, 2009 at 5:11 pm

    I love these guys and "Baby Got Back." Used to listen to them all the time back in the day, even have the CD.

    It became popular when they played it in Charlie's Angels. Now my teenager likes it too!
    Sir Mix-A-Lot - Baby Got Back lyrics

  • 6 - Glen Boyd

    Nov 25, 2009 at 5:22 pm

    Thanks Christine. Actually it became popular long before that -- to the tune of 4 million sold when it came out in 1993.

    What's cool is that it remains popular today, and that it couldn't have happened to a nicer bunch of guys (just don't tell them I said that -- you know, "street cred" and all that...).

    Thanks for commenting.

    -Glen

  • 7 - Christine

    Nov 25, 2009 at 6:03 pm

    Glenn: Back in the day...I mean 17 years ago when I was 30ish. So long before? Not that it matters.

  • 8 - zingzing

    Nov 25, 2009 at 7:18 pm

    a friend of mine came over sometime in middle school and left a tape of his in my tape deck... seminar? i just remember the beginning of it. must have been in 91 or 92 or so.

  • 9 - Glen Boyd

    Nov 25, 2009 at 7:23 pm

    The Beepers video at the end of this article is from the Seminar album Zing. And I'm in the video...LOL...

    Baby Got back was about 17 years ago Christine so you're correct, it was in '93 -- it's just that Charlies Angels came quite a bit later.

    -Glen

  • 10 - Greg Barbrick

    Nov 27, 2009 at 1:18 pm

    Nice stuff Glen. Even though I have heard the stories a hundred times, there are good good ones. Sounds like a great reunion.

    Too bad you couldn't find space in your piece to talk about the Gold Party - now that was a night to remember.

  • 11 - Glen Boyd

    Nov 28, 2009 at 6:24 pm

    The Gold Party is gonna' come a bit down the line, after I've got a few more of these "Call Me Shockmaster" thingies under my belt. But yeah, Seattle has never seen an industry party like that before or since. Definitely one for the books.

    -Glen

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