Lucia Micarelli - Music From A Farther Room

It's kinda funny, the changes that popular music has gone through over that past 80 years or so. Think back to the era of the Brill Building. There were writers of music, and there were performers of music...with almost no intersection between the two. The Beatles (at least in my mind) changed all of that. They had the musical chops and the songwriting skills.

Modern pop music tends to split the difference. There are sing/songwriters as performers of others' material. I tend to lean toward the former, though in some cases (jazz singers, for one) it's the instrumental virtuosity that's the center of attention.

But then there's the ProducerWroteMostOfTheTunes™ phenomenon. This on makes me a little queazy...and I'm not sure why. I mean, is it all that different than the Brill factory (which, by the way, produced some spectacular stuff)? Heck, you would think that the use of the cheesecakey cover art would be enough to set off a few warnings (though I used to have a subscription to the classical collectors' magazine "Fanfare", with each issue displaying many examples of HotClassicalChick™). Nah, despite my fears, I figure it's only fair to let the music have a say. It's not like my ears can see or anything.

So here we have the lovely and talented violinist Lucia Micarelli. She has played in the Trans-Siberian Orchestra and has more recently been featured at Josh Groban's live shows (which means that when my mother gets wind of this I will never see the CD again...which the wife will appreciate because the liner "art" is not making her happy). Let us ignore the Paul Schwartz/Josh Groban/David Foster trio and get to the actual vibrating air molecules.

"Samarkand" opens with a sorta-worldbeat vibe containing a sweeping melody line. It's layered with bits of percussion not unlike some of Sting's more recent eastern stuff. OK, nothin' stuffy about this.

Next the great Astor Piazolla is represented with "Oblivion". Any Piazolla composition is worth a listen and Micarelli does the winding melody proud. I could have done without the orchestration but that's just me.

Article Author: Mark Saleski

Mark Saleski is a writer and music obsessive based out of the Monadnock region of New Hampshire. He is an editor and writer for Jazz.com. He also writes reviews for Blogcritics.org and produces the weekly feature The Friday Morning Listen. …

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