Liner Notables: Frank Sinatra - In The Wee Small Hours Of The Morning, Only The Lonely, No One Cares, Point Of No Return - Page 2

Part of: Liner Notables

But for an expanded and more in-depth take on how Sinatra “sings ballads in a lonely mood,” we need to go beyond No One Cares straining-for-effect cover photo of a pensive Frank, in fedora and overcoat, drink in hand, by himself in a crowded bar. The liner notes of this 1959 album were penned by the prominent jazz and pop music critic Ralph J. Gleason, and perhaps it takes someone immersed in all-things-music to articulate the empathetic and natural style that complemented Sinatra‘s “gift for tempo” along with the “special magic of the timbre of his sound, the accent of his voice and the way in which it brings him personally across to the listener.”

Gleason further remarks upon Sinatra‘s “inspired phrasing and his ability to understand and communicate the lyric,” as well as, interestingly, the way he sings the verses to the song. “Verses never have the impact that the chorus has,” Gleason notes. “Yet, when Sinatra sings them, “they take on new life, set the stage for the mood and the message of the song.”

In an intriguing and pertinent facet to Gleason’s observations, he takes an historical and social perspective:

    For all our gaiety and our brass, this is a country with an element of sadness running through its soul. The Italians and the Irish, the Jews and yes, even the English, have a melancholy side to their nature and thus we have a great appetite for the song of unrequited love, the lament of love gone cold or hopeless. This underlying note of tragedy is imbedded in most American art, as it is in American life. It is one of the reasons Frank Sinatra can sing the sad songs in this album so well.

For, as Gleason continues, "those bittersweet, late night, sad songs of days that used to require an interpreter who can be sad without being maudlin, who can, in short, be man enough to cry a little and with the tears gain dignity.”

But damn that Ava Gardner, anyway. Hasn’t she done enough?

Page 1 — Page 2

Article tags

Spread the word
Bookmark and Share
Profile image for gordon-hauptfleisch

Article Author: Gordon Hauptfleisch

Gordon Hauptfleisch is a Blogcritics Books Editor, freelance writer, and book reviewer for San Diego Union Tribune Books (R.I.P.). For many years he worked in and managed bookstores and record stores, and most recently was purchasing manager for San Diego Technical Books. …

Visit Gordon Hauptfleisch's author pageGordon Hauptfleisch's Blog

Read comments on this article, and add some feedback of your own

Article comments

  • 1 - Vern Halen

    Feb 07, 2007 at 4:59 pm

    I have Lonely & Wee Small Hours on reissued vinyl - what beatiful records! Great arrangements, great vocal phrasing, great sound engineering, the complete package. Lonely is indeed a sad record, but it ends with One For My Baby (cue Frank here), "and one more........ / For the road." Which seemed somehow resigned & uplifting at the same time - go figure.

  • 2 - GL Hauptfleisch

    Feb 09, 2007 at 4:51 am

    Good point, Vern: "One for the road..." does indeed point to other connotations.

Add your comment, speak your mind

Personal attacks are NOT allowed.
Please read our comment policy.
Please preview your comment.

blogcritics lists for May 27, 2012

fresh articles Most recent articles site-wide

fresh comments Most recent comments site-wide

most comments Most comments in 24hrs

top writers Most prolific Blogcritics for April

top commenters Most prolific Commenters in 24 hrs