“As Long As I’ve Got You,” The Emotions (ca. 1972)
“Shoot Your Best Shot,” Linda Clifford (1980): A minor disco hit, Hayes’s song manages to successfully fuse disco with funk.
“Falling,” Donald Byrd (1981)
“Candy,” The Astors (1965): Hayes often said that his roots were based in doo-wop; look no further than this minor pop hit by this Stax group.
“Trick or Treat,” Otis Redding (ca. 1960s): Redding’s gritty vocals sound fantastic, as always, on this cut. But the funky guitar riff also stands out on this more obscure track.
“Pearl High,” The Bar-Kays (1967)
“If I Ever Needed Love (I Sure Do Need It Now),” Ruby Johnson (1966 or 67): Often called a “should have been hit,” this Hayes tune includes a powerful soul vocal and those unique Stax horns to create a classic ballad.
“Do Your Thing,” Lyn Collins (ca. 1960s): “Rap on,” croons Collins, a James Brown protégé and one of the best funk singers of all time (in my opinion). Hayes’ fierce lyrics perfectly suit the so-called “Female Preacher,” and show fans her considerable vocal talents besides the often-sampled “Think (About It).”
This list represents a small sample of Hayes’s songwriting; during his career he penned over 200 songs. However, these songs illustrate that Hayes was a unique talent and a true Renaissance man. “Shaft” will always remain his masterpiece, but these tracks also demonstrate his unique craft and impressive songwriting skills.
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