Halloween: Drama In Real Life

Spring, 1973 - suburban Cleveland, Ohio. The first rock band I was in practiced at our drummer's house because his drums won't fit through the door: their rhythm was nontransferable. I had learned my guitarmanship from books and folk guitar lessons. At 14, I didn't really have a clue.

We actually played from sheet music - Cream's "Sunshine of Your Love" was our first victim. You don't act like DeNiro because you have his script, and you don't play like Cream because you have the sheet music: the "how" counts as much as the "what."

Fortunately for the dozens that our band was to eventually entertain, a good samaritan found us and took pity. He was a red haired, gnome-like individual who was somebody's older brother and a real "professional musician" on hiatus from the rigors of the road.

With a magical wave of the hand, this benefactor initiated us into the world of 1-4-5 blues progressions and barre chords. Most importantly, he taught us to play what we heard, not what we read.

His knowledge seemed boundless, his patience less so. His recurring refrain was, "No, no, no. You're doing it the hard way. Let me show you." His voice was edged with irritation but supported with benevolence.

Our guru disappeared for weeks at a time, then materialized unannounced at critical moments to dispense his rocking revelations. We resented our dependency upon him, but we were always glad to see the maestro. After a particularly contentious session, the wandering wiseman didn't reappear for several weeks, which then stretched into months.

Finally, seeking guidance and alternate fingerings for C#7 chords, we pursued our Yoda's vapory trail. The trail very sadly led to the graveyard as our benefactor had not survived an afternoon on the road with a bottle of grain alcohol. Talk about doing things the hard way.

(Halloween, 1974)

Players have come and gone - one lineup was good enough to play some high school dances and to win a battle of the bands. The band would have been even better if certain individuals hadn't chosen to pickle themselves off of this mortal coil, but that's all ethyl under the bridge.

The band now had a totally cool place to play. Someone's mother knew someone who ran the local art center and the basement was our "rehearsal space."

The subterranean bomb shelter ambiance was patently unappealing to adult tastes, but afforded a palace of pleasure to teenage would-be rock 'n' roll stars and guests. It also lent an air of gravity to our undertaking, but equally impotantly, the pit was a place to party with impunity. How many high school kids had their own adult-free, but adult-sanctioned bona fide party room? Damn few (and it's probably a good thing).

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Article Author: Eric Olsen

Career media professional Eric Olsen is honored to be the founder and former publisher of Blogcritics.org, and former publisher of Technorati.com, which both rule. He is now editor, co-founder, and CEO of The Morton Report.

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  • 1 - Craig Lyndall

    Oct 31, 2003 at 10:43 am

    This is a great story. Very nice work!

  • 2 - Eric Olsen

    Oct 31, 2003 at 10:45 am

    Thanks Craig! It's all true. I've led a strange life.

  • 3 - Suburb Slim

    Feb 03, 2005 at 12:09 am

    Hey dude,....I was hanging out down in
    Coventry in the Heights back in '73. We
    could have been 'righteous' groovers, if our paths had crossed .
    I used to play a mean 'harp' back then,....
    AKA: the harmonica. I was 20 at the time
    and jammed with my Cleveburg friends.
    I was and still am into the (the old Black
    blues musicians) like Sonny Boy Williamson. Although John Mayhall and
    Paul Butterfield were the young bucks of the day. Me and my buds used to hit the bong
    and groove out , later drive all over that crazy city. One dude had a place his band
    rented for practice that was down near the
    Flats. In the bad old days, when that wasn't the coolest place to be late at night. We used to drive to Chesterland to catch bands
    play at this place called Hullaballoo, or something very '70's like that. Kent, and John Carroll, were close enough for checking out the music scene too.
    All I can say is 'small groovey world',...man.
    (Ala Cheech and Chong,......man.)
    Great tale,.....better than choking on your own vomit like Hendrix. Artists and musicians have suffered much, on their journey towards greatness or mediocrity.
    Fate had better plans for you.

  • 4 - Eric Olsen

    Feb 03, 2005 at 9:30 am

    thanks for the very kind words Slim! And the great old blues is no less great than it was 30 years ago! We may well have run into each other, especially down in Kent. I also recall when the Flats were seedy as hell. Very nice to hear from you

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