Jim Henley's approach won't necessarily be apt for anyone, but it's not a bad starting place.
Don't take this wrong, _____, but fuck your own voice. Your own voice will take care of itself as your craft matures. Your own voice will, if you're going to have one, insist on emerging. In the meantime, learn the craft. Learn the vocabulary and practice of meter. Learn rhyme schemes. Learn the ways that free verse gets written that yet contains music. Reread poets you admire, read about them and then read the poets they get compared to.
Thanks to Cory for the tip.
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