Frozen Music - Page 2

Robert Fripp - Let The Power Fall Robert Fripp and his 'Frippertronics' delivering a full-on ambient assault. How's that for a contradiction in terms?

Philip Glass - Music In Changing Parts. In my collection, this is the big daddy of repetitive, difficult listening music. This is early Glass form, where the repeated figures are tightly woven and shifted very slowly. Somehow, the organ used adds to the effect. I can only listen to this when I'm alone as it seems to drive everybody else in the house off the deep end.

And there you have it. Go ahead and try one of the above. What have you got to lose? The worst that can happen is that the room will clear (I've seen it happen.)

Page 1 — Page 2

Article tags

Spread the word
Bookmark and Share
Profile image for mark-saleski

Article Author: Mark Saleski

Mark Saleski is a writer and music obsessive based out of the Monadnock region of New Hampshire. He is an editor and writer for Jazz.com. He also writes reviews for Blogcritics.org and produces the weekly feature The Friday Morning Listen. …

Visit Mark Saleski's author pageMark Saleski's Blog

Read comments on this article, and add some feedback of your own
  • Drumming Drumming
  • Music to Be Born By Music to Be Born By
  • Ambient 1: Music for Airports Ambient 1: Music for Airports

    Limited Edition Japanese "Mini Vinyl" CD, faithfully reproduced using original LP artwork including the inner sleeve. Features most recently mastered audio including bonus tracks where applicable.

  • Let the Power Fall Let the Power Fall
  • Music with Changing Parts Music with Changing Parts

    Philip Glass's early works have purely functional titles, and this one is no exception. His masterpiece in this repetitious and rigorously structural composition style-- Music in Twelve Parts--may be ...

Article comments

  • 1 - Tom Johnson

    Mar 11, 2005 at 11:24 am

    I think the key factor with ambient music is finding the appropriate time and place to listen. A slow day at work where you can let it flow over you is great. A drive to the grocery store is not. And I also think most people tend not to want to invest the kind of time that this music requires. They may also simply not have enough time to let a 20 minute long, slowly progressing track play out. There's also little "payoff" in ambient - no hooks, no choruses, nothing "catchy" whatsoever. So I think most people are left feeling like they've just listened to a half hour of random sound, when instead the music should be encouraging them to focus on the tiny elements contained within it. I'm certain that, were most people to really focus, they would find the music of Phillip Glass pretty enthralling. But it's often brash, and is so repetitive that people don't even realize what is going on. That's too bad, because it's really pretty exciting (in a mellow way, I guess) to start picking up on how counter melodies and rhythms work together and against each other, often at the same time. I don't need too much of it, but when the time is right this stuff just kills me with how complex it can be, while seeming very simple on the surface.

  • 2 - Mark Saleski

    Mar 11, 2005 at 11:29 am

    yea, i realize that the way that i listen to music is not in 'the mainstream', whatever the hell that means.

    i mean, the first time i heard the Mickey Hart thing i was totally, totally enthralled with the sound of the plucked bass harmonics.

  • 3 - The Theory

    Mar 12, 2005 at 12:52 pm

    I've been a big Reich fan, but I don't own drumming. I'll have to pick that up soon.

Add your comment, speak your mind

Personal attacks are NOT allowed.
Please read our comment policy.
Please preview your comment.

blogcritics lists for Nov 25, 2009

fresh articles Most recent articles site-wide

fresh comments Most recent comments site-wide

most comments Most comments in 24hrs

top writers Most prolific Blogcritics for October

top commenters Most prolific Commenters in 24 hrs