From the Blogcritics Vault: Les Paul Rocks

Part of: From the Vault

    In one of our more significant stories, Ed Driscoll published an outstanding profile and interview with the great electric guitar innovator Les Paul three years ago today. At the time Paul was among the coolest octagenarians on earth - now, at 90, he is among the most extraordinary nonagenarians:

Les Paul, the father of the electric guitar and multitrack recording, dressed in a thick, oatmeal-colored ribbed turtleneck sweater (and it's in the high-70s and humid on this June 3rd day), navy blue trousers and black loafers, and wearing wire rimmed aviator-style glasses, is doing a sound check at 6:00 p.m., before the first of his two shows every Monday night at the Iridium Club on Broadway and 51st in Manhattan.

"Is my amp flat"? He asks. "It's flat, Les." Comes the reply from his soundman.

"On the dot?" "On the dot, Les."

"It should be 4 decibels clean," Paul replies. "In other words, when I hit this note" - Paul bangs the high E-string of his signature guitar - "it should be minus-four on the meter. On the tape machine, it should be zero. But I know this guitar is like a minesweeper, sometimes!"

Hard to believe this slight looking, but authoritative man is about to celebrate his 87th birthday next week. And even harder for me, as a part-time guitarist myself, to believe I was about to be interviewing him.

Who Is Les Paul?

To baby boomers, he's the name on their, or their favorite guitarist's instrument (as his recent commercial for Coors Beer made light of). To the previous generation, he's a musician with a string of pop hits in the 1950s. And there are lots of older folks around who still remember his days from the 1930s, playing in Fred Waring's Orchestra, and backing up Bing Crosby.

Clearly, while most people would be happy with one successful career, Les Paul is a man who can look back on several simultaneous lives.

Born Lester William Polfus on June 9, 1915 in Waukesha, Wisconsin, he began to teach himself not only the guitar, but electronic engineering when he was just a child. He later shortened his name to Les Paul (after a brief spell known as Rhubarb Red!) and played with big bands in the 1930s, such as Fred Waring's outfit in the 1930s and with Bing Crosby in the 1940s.

Simultaneously, he also did much developmental work on the concept of the electric guitar. His electrical engineering skills led him to finally develop the electric solidbody guitar, designed initially to reduce feedback and increase the sustain of notes and chords.

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Article Author: Eric Olsen

Career media professional Eric Olsen is honored to be the founder and former publisher of Blogcritics.org, and former publisher of Technorati.com, which both rule. He is now editor, co-founder, and CEO of The Morton Report.

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Article comments

  • 1 - Eric Berlin

    Aug 23, 2005 at 1:36 am

    Way cool!

    I love Les Paul guitars: the look, the tone, the sound... it's just the best there.

    I fondly recall endless discussions with my talented and guitar-obsessed friend in college: Les Paul or Strat, Strat or Les Paul. Les Paul it was, which meant I got to tool around on it.

  • 2 - Eric Berlin

    Aug 23, 2005 at 1:52 am

    Meanwhile, Mr. Moog (he of the Moog synthesizer -- as phat and cool as sound as there is) has passed on.

  • 3 - Eric Olsen

    Aug 23, 2005 at 7:05 am

    the Les Paul (guitar) sound is an enveloping wave, the Strat sound a pointillist cloud.

    It's great to still have Les Paul (the person) around

  • 4 - saul hudson

    Sep 16, 2005 at 12:07 pm

    I think the Les paul the greatest guitar on earth an the strat just sucks compared to the les paul it siunds like spitting on paper. It isnt a guitar to beF++ked with!!

  • 5 - Guitar guy

    Apr 29, 2006 at 2:46 am

    I just got my first Les Paul today it's not a Gibson but I got the Epiphone and it sounds great I much prefer this over a strat.

    Thank You Les Paul.

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