DVD Review: Live At Montreux, 2005 - Alice Cooper - Page 3

For the menacing stage persona he perfected so many years ago, Alice no longer has to get by on charisma alone. Here, he prowls, rather than staggers, across the stage taking absolute command of every inch of it. With a razor-sharp band that is as tight a unit as he has ever fronted, Alice Cooper rocks with the energy and intensity of a man 30 years younger.

As I said, the theatrics are somewhat toned down. But this is, after all, still Alice Cooper we're talking about here. He still gets the straitjacket treatment for "Ballad Of Dwight Frye," which he again sings as strongly as he did back in the Love It To Death days. And of course he still gets the guillotine — still one of the coolest special effects stunts ever done on a concert stage — for the double shot of "Killer" and "I Love The Dead." The show is dotted with other classics from the considerable Cooper canon. "I'm Eighteen," "Schools Out," "Be My Lover," "Under My Wheels," and of course "Billion Dollar Babies" are all here.

As for the newer songs featured here? Well to be honest, there isn't anything here that is going to stick in my brain the way "I'm Eighteen" did the first time I heard it. But I have to give Alice Cooper credit. He is still mining pretty much the same territory of teenage angst and rebellion that he did back in his heyday on the newer songs from recent albums like last years Dirty Diamonds. The difference is he is doing so with the benefit of wisdom that comes with both age and surviving more demons than either you or I would care to see in a single lifetime.

There's just something about Alice Cooper you gotta love. Even when he was battling those very demons and selling out the biggest arenas in the world, you always knew that deep down he was pretty much your basic All American God-fearing Christian sort of good guy. At least if you we're really listening.

So it really is good to see you again Alice Cooper. Clean and Sober. Alive and Well. And doing your thing with an energy and vitality that would make most guys half your age positively green with jealous envy.

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Article Author: Glen Boyd

You'll find Blogcritics assistant music editor Glen Boyd sharing his Thoughtmares on his personal blogs The World Wide Glen, and The Rockologist. In a previous life, Glen was a music professional and journalist whose work has appeared in The Rocket, SPIN, Pulse!, and The Source. …

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  • Live at Montreux, 2005 Live at Montreux, 2005

    Alice Cooper’s live shows are legendary for their sense of rock theater and sheer visual spectacle. This latest addition to our range of titles from the renowned Montreux Festival catches Alice Cooper at his very best. ...

  • Good To See You Again, Alice Cooper - Live 1973 - Billion Dollar Babies Tour Good To See You Again, Alice Cooper - Live 1973 - Billion Dollar Babies Tour
  • Dirty Diamonds Dirty Diamonds
  • Love It to Death Love It to Death
  • Killer Killer
  • School's Out School's Out

Article comments

  • 1 - Triniman

    May 21, 2006 at 11:41 am

    I just saw Alice a few days ago and will post a review. He was fantastic! Eventually, I will get these dvds. There is nothing in music like an Alice Cooper show.

  • 2 - Scott

    May 21, 2006 at 11:51 am

    Hi, Glen. Hadn't been on Blogcritics in a while, so I thought I'd peek in.. I just finished reading your review of Alice's new DVD, and I must say that I really enjoyed reading that.. Brought back many great Alice memories for me.. I too saw AC during the Killer tour, and was about your age.. I see you're fifty.. I am right on our heels at 49, which I guess made me 14 at the time.. Oh the joy that night was for me, I still recall.. Sadly, after all these years I've never run into any single person who's ever mentioned seeing Alice back then.. I saw them in San Antonio, with Bang opening and Canned Heat, still with Bob Hite, but Alan Wilson was already gone by then.. Do you still recall your opening a cts that night? Was it the same line up for you?

  • 3 - Glen Boyd

    May 21, 2006 at 12:01 pm

    Hey Scott. My memory is a little hazy...but I believe a Bay area band called Earthquake was the opening band when I saw Alice on the Killer tour. They had a song called "Trainride" that was an FM Rock hit for about five seconds before disapearing into obscurity. When I saw Alice a few years later though on the Billion Dollar Babies tour, I have no problem whatsoever remembering the opening act...it was Flo and Eddie who we're absolutely freaking hilarious.

    Triniman...you should definitely get the "Good To See You" DVD just for the historical reference of seeing Alice in his prime. But the newer "Montreux" DVD is bay far the superior performance.

    Thanx for the comments you guys.

    -Glen

  • 4 - Sharon

    May 21, 2006 at 1:35 pm

    Fantastic review Glenn and like yourself and Scott it was Killer that captured me and drew me into the fold.Its thirty years later and not only am I still there,but my addiction to Alice just keeps growing stronger.
    Dirty Diamonds was/is one of the best tours in a long time.I've been around the world and back just to be able to catch it 13 times now,and its not enough. This dvd is going to earn a very honourable spot in my collection.Forever The Coop!

  • 5 - Glen Boyd

    May 21, 2006 at 11:11 pm

    Sharon,

    WOW! 13 times this tour alone? In locations around the world no less? You are one dedicated Cooper fan. The closest I come to that sort of level of fandom with anybody is Springsteen...who I've seen 31 times, and travelled to different places around the country to do so.

    It's actually been at least fifteen years since I've seen The Coop live...last time was I think around 1989, when I actually got to meet him backstage as well. Real nice guy by the way...loves his horror movies which was basically all he wanted to talk about when I met him.

    He still usually plays here about once a year though...usually around Halloween at the Emerald Queen, which does a lot of the "classic rock oldies" type shows here in Seattle. I'll definitely catch him next time.

    Thanks for the comment.

    -Glen

  • 6 - Jet in Columbus

    May 22, 2006 at 2:48 am

    Glen, let's see if this jars your memory. The first time I saw Alice Cooper was on a TV show called The Snoop Sisters starting Helen Hayes and Mildred Natwick. Alice played the leader of a witch's coven, snakes and all.

    One of my favorite albums is Alice's answer to Jesus Christ Superstar, entitled Alice Cooper goes to Hell. People kept calling radio stations and dedicating the title song to Donny Osmond!

    A little known fact is that Alice is one of the best ballad singers there is, from "Wake me Gently" to "Only my heart Talking" with Steven Tyler.

  • 7 - Glen Boyd

    May 22, 2006 at 3:06 am

    I remember that show The Snoop Sisters when Alice was on it Jet. LOL...

    He wore this really goofy skeleton outfit if I remember correctly...too freaking funny.

    -Glen

  • 8 - Jet in Columbus

    May 22, 2006 at 3:15 am

    Here's why I thought it was so helarious that they were dedicating this song to Donny Osmond...

    For criminal acts and violence on the stage
    For being a brat
    Refusing to act your age

    For all of the decent citizens you've enraged
    You can go to Hell

    For gambling and drinking alcohol constantly
    For making us doubt our parents authority
    For choosing to be a living obscenity
    You can go to Hell

    You're something that never should have happened
    You even make your Grandma sick

    You'd poison a blind man's dog and steal his cane
    You'd gift wrap a lepper
    And mail him to your Aunt Jane
    You'd even force-feed a diabetic a candy cane
    You can go to Hell

    You're something that never should have happened
    You even make your Grandma sick
    For criminal acts and violence on the stage

    For being a brat
    Refusing to act your age
    For all of the decent citizens you've enraged
    You can go to Hell

  • 9 - Glen Boyd

    May 22, 2006 at 3:20 am

    I think having to actually listen to Donny Osmond for a prolonged length of time...now that would be hell.

    Too funny Mr. Jet. LOL...

    -Glen

  • 10 - Barry Stoller

    May 22, 2006 at 10:31 am

    Back when "Dwight Fry" and "I'm Eighteen" were the latest AC songs, the band played the Filmore East, opening for Bloodrock who were still high on the festival trail with "DOA." Obviously Coop and group, quick learners, were impressed with the crowd response to "DOA" and, as Killer evinced, AC quickly consumed Bloodrock's zeitgeist, using it as a springboard to bigger things. The difference: Bloodrock's routine drew upon the terror of Vietnam and the draft whereas AC turned that dread into (post-Vietnam) shock-value parody, thus calming the very demons they ostensibly exploited.

  • 11 - chantal stone

    May 22, 2006 at 10:36 am

    Glen...great review! I'm soooooo not an Alice Cooper fan, but what a testament to your writing skills that actually have me thinking I might want to give AC a listen! Bravo

  • 12 - Glen Boyd

    May 22, 2006 at 1:10 pm

    Barry,

    Are you sure it wasn't the other way around and Bloodrock opened for AC? "I'm Eighteen" as I recall was a way bigger single than "DOA". I did see Bloodrock open for Grand Funk once...I think Terry Knight may have managed both acts.

    Chantal, thanks for the comment. Our friend Barry up above yold me I need a girlfriend when commenting on of my other posts. Whatdya say?

    -Glen

    P.S. Oh I forgot, theres that little matter of you already being married. Damn, shot down in flames again. LOL...

  • 13 - Barry Stoller

    May 22, 2006 at 3:04 pm

    Nope, it was AC opening for Bloodrock. (I spent all of 2002-'04 interviewing & researching their career when I wrote their biography American Burn, see blurb on Blogcritics' archives.) "DOA" wasn't a huge radio hit (getting only up to #36) but their festival performing prowess coupled with the almighty Capitol/Knight PR dollar assured them a great touring slot - until they fell out with Knight (who, BTW, produced Bloodrock but did not manage them; Jack Calmes, of ShowCo fame, did). (Added trivia: John Nitzinger, who wrote many of Bloodrock's tunes, later toured / co-wrote material with AC in the bad, drinking days.)

  • 14 - Joey

    May 23, 2006 at 9:11 am

    Glen,

    Great reading!! And right on the nose for historical sake.

    I first saw AC on The Smothers Brothers Show, which isn't mentioned very often anywhere. He did the tooth act for Unfinished Sweet (Tommy Smothers was the tooth I believe). I remember being nearly hypnotized by the fact that somebody would put such outrageous theatrics into rock music.

    But more importantly I remember the fear and disgust Alice brought to middle-aged Americans (30+ crowd). All those Archie Bunker's out there were claiming Alice was the decay of the youth's morals. My parents simply refused to let me (15 at the time) see the BDB tour. I literally had to contrive an "overnight campout" (which upon discovery led to a month-long grounding - you know....typical 70's stuff.)

    Worth it?? You betcha!!

    Anyway...Once again - Great writing.

    Lifelong AC fan from WV,
    Joey

  • 15 - Gary

    May 24, 2006 at 2:54 pm

    Hey! Glen
    Nice review...enjoyed comments about the Killer days.
    Alice has always played a big part in my life from 72 until now in 2006.He tours more now than he ever did so go get to see the man again,the buzz is still there,I promise you,and he plays more of the old ones than he ever did,but give those new,ns a proper listen.He still rocks along with a great band thats tight & energetic.
    Off with his ead! again?
    Bring on Sheffield & the Isle Of Man next week
    & get back to Manchester soon Alice
    Blackwidow bitten ....Gaz

  • 16 - Katina Lee

    Oct 15, 2008 at 10:38 am

    The only thing I disagree with is about Alice being off the musical map. He tours every year and has always maintained a strong fan base. Granted he hasn't had many hits in recent years. He had hits 1977, 1978, 1980, and 1989 and 2000's Brutal Planet sold very well considering the label he was on. He still draws big crowds.

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