They remain in power trio mode for two more songs, beginning with the fan favorite "Jailbreak", which was somewhat lacking without Lynott's gritty vocals, and a second guitarist, but, hell, Moore sounds like he is playing two guitars most of the time anyways. This was followed by one of Lynott's very best songs, "Don't Believe A Word", which Moore introduced with a casual "there are two versions of this song — the slow version and the fast version", before leading off with the ballad version he did for his Back On The Streets album. After a few minutes in ballad mode, Moore stomps on his distortion pedal, and after a slight pause, for effect, cranks it into overdrive, launching the famous Johnny The Fox version, and sending the crowd into a frenzy. Moore's vocals were more suited for this song and his killer performance made this one an early highlight.
From there, things really heat up. Moore introduces Brian Roberston, who walks out strapped with a Les Paul, and looking every bit the rock star, with the black leather pants, sleeveless black tee, giant silver cross necklace, and long straight black hair hanging in his face. When he and Moore cranked up those twin Gibsons for a powerhouse version of "Emerald", it became immediately obvious why his string of Lizzy albums were their finest. Halfway through the song, Moore and Roberston face each other for a little one-upsmanship, as they take turns firing off one incredible lick after another, the whole time grinning in admiration at each other.
Robertson hangs out for one more number, "Still In Love With You", a song from the first Thin Lizzy album he appeared on, 1974's Night Life. According to some sources, this song was actually written mostly by Moore, during his earliest stint in the band, even though Lynott is the only one credited. Either way, it is easily one of the best slow blues ballads the band ever recorded, and they really nailed it this night.
Just when you think it can't get much better, out struts Mr. California Cool himself, Scott Gorham, to kick off "Black Rose", a song he and Moore partnered on for the 1979 album of the same name. Gorham is strapped with a Fender Stratocaster, and he and Moore engage in some of the same guitar dueling that came before. Both guitarist were having the time of their lives, and appeared genuinely moved to be performing these great songs together again.
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