Concert Review: U2 at Telstra Stadium, Sydney

It was early December in 2005, and Australians everywhere geared up to purchase tickets to what would be a sell-out concert in record time. U2 was coming to Australia for the first time in eight years. Then, weeks before the scheduled show, U2 cancelled, citing a death in the family of one of the members, pushing the concert back eight months to November of 2006.

Personal expectations weren't high - after all, it was the Telstra Stadium, the former Olympic venue that is hardly the best place for music. The supporting act seemed to support this notion - none other than Kanye West, fresh from his his stage-invasion at the European Music Video Awards the week before.

His entire act cried of a lack of effort. The sound was horrible, the stage completely bare save a backup singer, a DJ, and a strings quartet. When I wasn't struggling to hear what he was rapping about, I was embarrassed to find myself listening to the first "wave your hands in the air like you just don't care" line since Backstreet Boys' "Everybody (Backstreets Back)" nearly a decade ago. Thankfully, his set lasted for only five songs, the most enjoyable moment of which was a decent transition by the strings quartet from Gnarls Barkleys' "Crazy" to The Verve's "Bittersweet Symphony," a pleasure short-lived by Kanye's unfortunate rapping cameo.

An hour later and U2 finally graced the stage. It was a strange opening, considering the band had to enter the stadium itself before being able to get behind the stage. All the while fans were screaming. Nevertheless, the lights darkened and U2 exploded into "City of Blinding Lights," with beautiful sound and an instant personal revelation that perhaps Telstra Stadium isn't all bad.

From there U2 continually amazed, they quickly knocked off their later non-sensical songs like "Vertigo" and "Elevation" to quickly make room for the classics. The majority of their set was derived from their '80s collection, a clear indication that they were there to please the fans. Bono's political views would inevitably emerge at some point during the concert, and it was little surprise it first occurred during "Sunday Bloody Sunday," certainly one of their greatest political songs.

The political side of the concert ranged across various topics, using various styles. From straight-out preaching to the use of song, Bono enamored the crowd with his political agenda, at one point entering the stage wearing a headband boasting symbols representing Christianity, Islam, and Judaism. His attempt to engage the audience with the chant "Jesus, Mohammed, Jew, it's true," was a little weird and many were hesitant to join in. Perhaps the weirdest, however, was a recording on the huge screen behind the band of an African woman declaring an end to slavery. Not so weird in itself, but for some reason, the band then decided to interrupt her, breaking into the upbeat, "Where The Streets Have No Name," the woman cutoff mid-sentence and her face quickly fading from the screen. Perhaps it was a glitch, but weird nonetheless.

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Article Author: James Hutchinson

Uni student, aspiring film editor, and blogger at Music Times

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Article comments

  • 1 - Mick

    Nov 16, 2006 at 7:46 am

    this is a great summery of the night although i do disagree with you for some points. This is only my opinion but I thought the political views in the concert was very apropriate and i would like to think of them not as full on politics but as comments coming from a man who is a human rights activice. I dont think that its a bad thing that he wants to save the planet from poverty i think its a great thing and Bono is the man who can make a difference because he has power. It is hard for us because we are not in power so therefore nobody will listen. But over all your comments were great. I went to the concert in Sydney on the Friday night and loved every moment of it. U2 are deffinatly the greatest band on the planet.

  • 2 - James Hutchinson

    Nov 16, 2006 at 7:51 am

    I have no problem with Bono's political views - particularly in regards to poverty and AIDs. I just found his methods a little bit wierd, mainly the fact that they literally cut off the monologue from the African woman. I'm pretty sure it was a glitch, but nonetheless, it was still a little wierd.

  • 3 - Bonnie

    Nov 17, 2006 at 12:57 am

    I was at the Friday night concert, and although I was far up the back in the seating section where I could barely make out the figures on stage, it is by far one of the best experiences of my life! The atmosphere was amazing and the crowd awesome. It looked incredible when it started raining not long after they came on stage, there was lightning up behind the stage that almost seemed like it was part of the light show. I think Bono is an amazing guy and why shouldn't he use the stage to deliver his message to such a huge amount of people. You don't have to agree with it. I have so much respect for him. I thought the whole event was so well organised and although we had to stand in a massive crowd for over an hour and a half waiting for a train after the show, everyone seemed very calm and patient. It was awesome!!

  • 4 - andrew

    Feb 16, 2007 at 5:42 am

    the problem with this summary is that alot of the points are wrong. the band did not leave the stage after one hour, it was far longer because the 1 hour mark was just after sunday bloody sunday, which was followed by miss sarajevo, pride, where the streets have no name, one. then they left. they also were not off stage for 10 minutes.they did not leave the stage after the saints are coming either.

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