Concert Review: Galactic at the Fillmore at Irving Plaza, NYC, October 17, 2008

Over the course of Galactic's first set at Irving Plaza last Friday night, (I did not see the second) they pretty much ran the course of just about every musical style America has invented over the past 70 years. They served up a mix of down-home Delta blues, heavy funk, the occasional rock-fusion touches, and backe with a jazz sensibility. Add the A Tribe Called Quest-influenced openers the Crown City Rockers and master horn players Shamarr Allen and Corey Henry, and you got a night of pretty damn sly musicians putting down a history lesson for a New York crowd that would otherwise be too stoned, ignorant, or funk-parched to care.

Galactic, one of those bands that has fallen into the Jazz category for lack of better description, has built one of the more solid careers of any so-called jam band of the last 20 years. While bands like Phish and moe largely ignored the studio and focused on their live shows, Galactic have been consummate recording artists, focusing on both equally. On the band's most recent album, 2007's From the Corner to the Block, Galactic touched hip-hop after seemingly every general rock style had fallen into their grasp.

Perhaps because of the new-found hip hop appreciation, the opening band Crown City Rockers did more than a little to steal the show. The Oakland based band showed definite musical smarts and chops, but the real energy came from Emcee Raashan Ahmad, who was more of a showman than Galactic saxophonist Ben Ellman. Ahmad's crowd-baiting was so deft that it nearly upstaged Galactic's set, which despite it's unpredictable leanings, settled into something of a solid groove midway through.

Like all good fusion bands (yes, they do exist!), Galactic is a band who picks its stylistic moments carefully. Guitarist Jeff Raines hit the distortion petal sparingly, but every time he did it sent a chill up my spine. With career-spanning songs that fit everyone on the stage, I was a little disappointed to see Galactic's rhythm section stay somewhat stagnant. When solos were in order, however, there was not a disappointment to be had.

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Article Author: Ethan Stanislawski

Ethan Stanislawski is a freelance journalist/critic and new media specialist. He is a regular reviewer and staff writer at Prefix Magazine, and also contributes regularly to Blogcritics Magazine. His interests include theater, film, and pop music …

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