Concert Review: Dead Can Dance at the Orpheum Annex Theatre, Vancouver, B.C., August 9, 2012 - Page 2

Thankfully, the intoxicating “Rakim” was the third song, but after such a profound live hiatus, there should have been a couple of orchestral bones thrown before the next familar reprieve, “Sanvean” ironically another gem from their only live album, Toward the Within.

Other highlights included Gerrard’s “Now We Are Free” from The Gladiator soundtrack and her “Dreams Made Flesh,” released as This Mortal Coil.


However, to say the night was hers would only be partially true. Granted, she was more at peace in her skin and certainly wasn’t trying to impress, per se, but where previously her every syllable captivated and transfixed, this time I found myself bored with some of her warbling. I even caught myself wondering what happened to Enya and compiling my grocery list.

Breaking through, “The Host of Seraphim” commanded rapt attention, and it was visually matched with some outstanding shadow and light work. While the DCD duo’s grip on the audience has loosened, the real star of show hands down was the lighting designer, who effortlessly created a substantial mood with seemingly very little. Minimal and lush, the lighting effects all night were spellbinding.

Sadly, the other elements of the performance complemented these effects only sporadically.

Setlist:

    --Chris "Gutter" Rose

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Article Author: GutterCandy

GutterCandy comprises the bi-coastal writing duo of Chris "Gutter" Rose (Vancouver, British Columbia) and Johnny "Gutter" Walker (New York City).

Johnny Walker (Black) was a Contributing Editor at the seminal online rock magazine, Addicted To Noise / Sonicnet, from 1995-2001. …

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Article comments

  • 1 - mostmusicreviewers are duchbags

    Aug 16, 2012 at 3:48 pm

    Lame review. They were amazing.

  • 2 - Jimmy

    Aug 17, 2012 at 2:56 pm

    Funny comment! Are you jealous because most music reviewers can spell "douchebag"? If you feel that way, why are you reading music reviews?

  • 3 - Andrew

    Aug 19, 2012 at 9:02 am

    We read in the hope of finding something interesting and learning some of the fait divers of the event, not to learn of the reviewers lack of attention span, their shallow interior world, and their defensive superiority which manifests in pedantic critique of other people's orthography.

  • 4 - Zingzing

    Aug 19, 2012 at 10:38 am

    Dead can dance do walk a fine line between pretentiousness and art. If they've got you, it doesn't matter how pretentious they are, but if they lose you, it just becomes unbearable.

    Andrew, you make a good point, but you wrap it up in a turd.

  • 5 - anthony b

    Aug 22, 2012 at 3:09 pm

    anabasis, savean, miss havisham, fait divers, interior world, orthography???

    everyone associated with this review - band, reviewer, and commentator - lives up their ass and huffs their own farts.

  • 6 - Currykev

    Oct 24, 2012 at 1:23 pm

    Having seen DCD and Lisa over the last few years, and in Barcelona just 2 days ago, I am in agreement with the reviewer. Lisa has become the star that shines, while Brendan seemed to be the kid that wants. I found myslef wishing I was at a Ms Gerrard gig not a DCD one.

  • 7 - Martin G

    Oct 27, 2012 at 5:26 am

    Saw them in Royal Albert Hall in London yesterday, and in Moscow a few weekends before that, both performances blew my mind and I could not disagree more with this review. Anastasis is a fantastic album, and both Brendan's and Lisa's voices are exactly like on the albums.

  • 8 - Graham C

    Oct 27, 2012 at 6:16 am

    (whispers) I have to say that last night's show in London was a little bit rubbish. Cracks galore and a performance of 'The Host Of Seraphim' which was simply not very good. Mercifully I also saw them in Hamburg; a far better show all round.

  • 9 - Graham C

    Oct 27, 2012 at 6:19 am

    Actually, the Hamburg performance was completely amazing.

  • 10 - Seamus

    Oct 28, 2012 at 7:34 pm

    Just saw the Dublin gig, and compared with so much crap live bands out there DCD were amazing. I saw none of the cracks, or the pretension referenced above (although Now we are Free started a bit flat, but ended strongly). What I saw was a performance with not one but two vocalists on top of their game. I can't easily remember too many live performances I've ever seen with such vocal talent. Host of the Seraphim was a standout, as was Song to the Siren. I am also surprised that there are complaints that they played the entire new album. They are touring with a new album .... I think playing new songs is a standard for a band touring after a new release. And yet the new songs fared well alongside old classics. How many bands can say that after such a hiatus? For me, the gig was a musical highlight..but I can imagine that not every gig will be equally good...

  • 11 - Ian Lafferty

    Oct 29, 2012 at 7:58 am

    The point of the tour was to promote a new recording. The new songs melded perfectly with the old stuff. If you want a trip down "Memory Lane" go see The Rolling Stones.

  • 12 - joanne lawrence

    Oct 30, 2012 at 7:43 am

    Was this reviewer even at a performance?? I couldn't disagree anymore strongly!!! I travelled from England to Dublin in order to be privileged in hearing one of my all time favourite bands live. I wasn't disappointed, I was awestruck, rendered speechless and frequently moved to tears by the sheer passion and ability of the musicians on stage. Lisa Gerard and Brendan Perry are both mesmerising, talented and deeply focussed on their music. I would happily travel half way across the world to relive the experience.

  • 13 - Dawn Pittman

    Nov 06, 2012 at 2:52 pm

    Thanks for this review. I saw the show in London and left disappointed.

    Everything I read in advance of the concert had raved about this tour, so it was a relief to see that someone was as let down as I was. I wanted to be moved to tears as I had been at previous DCD shows.

    Lisa was better than Brendan, but she was not as good as she has been in the past, especially when I saw her with Klaus Schultz.

    I too feel that Brendan as a solo act is less precious and vastly more entertaining.

    I realize they are promoting the new album, but it didn’t need to monopolize the setlist as it did.

    Playing fewer tracks from it to make room for a couple of better known ones (instead of the playing the whole thing) would not have pandered nostalgia ala the Rolling Stones, but rather showcased a uniquely rich and diverse discography.

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