CD Review: The Devin Townsend Band - Synchestra

Devin Townsend is an acquired taste, based on my limited experience with the eccentric Canadian. My first experience came back in 2003 when I saw Strapping Young Lad open for Meshuggah, I recall thinking there was some great drumming, but they really weren't to my taste. At that show I picked up the self-titled Strapping Young Lad album, and again, the music didn't really grab me, so I set it aside and never looked back.

Here we are nearly 3 years later, and I find myself once again drawn into the manic stylings of Devin Townsend. This time, though, something is different. This is the second album released under the "The Devin Townsend Band" banner, and my first experience outside of the Strapping disk. I have heard so many good things regarding Townsend and his music that I felt I should revisit it--maybe the past few years have changed my perception and something will be different. Now, either I was right, or this is a Townsend project that got to my ears at the right time because this album is fantastic.

Synchestra is more of a score to something playing on the projector of Devin Townsend's mind than of a traditional album. The 13 songs meld one into the next, creating this free flowing manifestation of Townsend's thought patterns. The music contained is as quiet and meticulous as it is loud and bombastic. I was not quite prepared for this.

The music kicks off quietly with "Let it Roll" and continues for the opening of "Hypergeek," before hitting us with a blast of metal before settling down for something that is decidedly in between. The album gets a flow which is more orchestral in nature than song based, this works wonderfully, giving the album a feel where the sum is greater than the parts. Each song has enough of its own texture to stand apart, but when placed in this specific order they take on something new, something bigger. Taken as a whole, Synchestra takes on a grand aura, a metal epic if you will. Perhaps even better than that, there is very little in the way of specific lyrical content, the music more a work of instrumentation peppered with a little wordplay, adding another texture but not defining it. This is significant since this plays more like a score, it allows the listener to conjure up his or her own images, to create a mental film of metallic proportions.

Article Author: Chris Beaumont

Christopher Beaumont spends much of his time writing about music and movies when he isn't indulging in them. He is always ready to talk about his favorite form of entertainment and offer up recommendations. Follow: Twitter and Tumblr. Visit: Critical Outcast. …

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