Neil Tennant and Chris Lowe, better known as British pop duo Pet Shop Boys, have been recording together in one form or another since a chance meeting in an electronics store in their native England back in 1981. It wasn’t until their eventual signing with Parlaphone Records in 1985, and the re-release of their breakthrough (and now signature) single, “West End Girls,” that the band first saw major success, selling 1.5 million copies worldwide.
Often viewed as a one-hit wonder here in the states, Pet Shop Boys are anything but. With a rampant fan base the world over rooted deeply in, but certainly not limited to, the gay community, and over 38 Top-40 singles in the UK, Pet Shop Boys have enjoyed fairly constant success (the usual peaks and valleys apply) throughout their always ambitious 25-year career.
Chris Lowe’s synth-driven pop compositions (ranging in everything from traditional classical, early New Wave and European disco, and contemporary House, Techno, and Electro) are the unlikely, perfect companion to Tennant’s undeniably British wit and charm, his unique singing style, and his often poetic flair for the English language. They've earned themselves a spot at the top among fellow artists of the same cut including Depeche Mode, New Order, O.M.D., and Erasure.
Fundamental is the their 9th studio album (16th, if you count various remix, hits, and b-side compilations), continuing in a long tradition of to-the-point, one-word (Please, Actually, Behavior, Very) album titles. This time around they have enlisted the help of ‘80s producer extraordinaire, Trevor Horn, who the duo last worked with on the song “Left to My Own Device” from 1988’s Introspective, their compilation of 12” dance singles.
A founding member of The Buggles, Horn is responsible for the ‘80s smash and MTV catalyst, “Video Killed the Radio Star,” as well as being a founding member of Art of Noise. He also enjoyed a stint, albeit brief, as the lead singer for the band Yes on 1980’s Drama. Horn has since gone on to produce the likes of Tom Jones, Tina Turner, LeAnn Rimes, and Belle and Sebastian, to name a few, but is most known for his work with Frankie Goes to Hollywood in the ‘80s, and his on-again, off-again relationship with Seal throughout the 1990s.
With Fundamental, the marriage of Horn’s trademark orchestrals to Lowe’s usual disco delights is the perfect blend of producer-artist commerce, with either side taking center stage. It doesn’t sound overtly Trevor Horn, yet there is something setting it apart from the last few Pet Shop Boys releases, something ultimately different, yet very familiar. It runs the usual Pet Shop Boys gamut from traditional four-on-the-floor club tracks to sweeping, lovelorn ballads to biting (this time political) anthems.