Celebration on this album comes not just in the form of the flute solo, but in his tribute to his grandfather, “Geechee Joe,” the delightful guitar at the end of “Where Do All The Girls Come From” and “Geetchee Joe” (and just about every song), and in the actual listening experience.
James Blood Ulmer’s jangly vibrato takes some getting used to, but once you’ve listened a few times, it’s simply impossible not to embrace it - especially on “All The Girls” and “Geechee Joe.” Throughout the majority of this songs, there’s a sweetness and longing that’s beautifully expressed. Perhaps it’s my soft girly heart that’s so easily swayed by this, but somehow, I don’t think so.
This isn’t your run of the mill blues by any means; it doesn't have to be. And, really, what defines the blues? The human experience and soul are all that's required for the blues. Birthright has all that and more.
James Blood Ulmer’s Blues Music Awards nomination for Acoustic Album of the Year is well deserved. Of all the nominations, Birthright leads the pack. Not content to merely showcase his ability to sing and play guitar, Ulmer offers up his heart and soul on a rough hewn platter – it’s an offer you can’t refuse.
John Owen also reviewed this album last year. Amazingly enough, I hadn't read his review until after this was written. If you read his, you'll note some similar impressions.
Article comments
1 - Triniman
He's coming to my town in June for the annual jazz festival. I've never actually heard his music, but I am curious.
2 - Joanie
DEFINITELY worth checking out! This has become one of my go-to CDs.
3 - godoggo
So he just does blues now? Has he abandoned the harmolodic funk?
4 - Joanie
I don't know if he's given it up or not, but the last several CDs have been blues. I'd imagine that he combines music in concert.