The Keeper Of The Seven Keys: The Legacy
Back in 1986-1987, I found myself at the musical crossroads. Listening mostly to the strains of every hair metal band that was out there, I had presumably found my musical niche. Music of bands like Motley Crue, early Poison, Y&T and Ratt were pretty much what I was listening to. Occasionally, when I was super pissed off, there was the occasional play of Ride The Lightning, but for the most part, hair metal was where I was at. Then, in a club in Korea called The MTV Club, I discovered something a lot more evil, mean and appealing to me. This club played nothing but tapes of Headbanger's Ball that were sent over from the USA, and on them, tons of European bands that I had not discovered. One of those bands, and the one that turned me from hair metal to all metal, was Helloween. The Keeper Of The Seven Keys I and II stayed in my player for a solid three years, and with it, my metal obsession widened and I became the junkie I am today.
That being said, you would think that Helloween would be one of my all time favorite bands...not necessarily true. I love the Keeper Of The Seven Keys records, but not much else. So, when I read that they were going to revisit the Keys, I looked in with a skeptical eye. Would this band that put out such pieces of crap as Chameleon and Rabbit Don't Come Easy be able to find the magic of their glorious beginnings? Thankfully, the answer is yes. While certainly not as exceptional as parts 1 and 2 (especially 1), THE Keeper Of The Seven Keys: The Legacy is a grande, epic masterpiece that neatly ties up the eerie tale that has always maintained itself and the foundation of this band.
To say the least, Keeper Of The Seven Keys: The Legacy finds guitarist Michael Weikath writing brilliantly once again. The songs here are extremely epic in scope. Multiple songs clock in over 8 minutes long, yet none of them leave a dragging feeling to them. From the very beginning of the massive 13-minute “A King For 1000 Years”, you realize that this is not merely another weak Helloween effort like many have grown accustomed to over the last 5 years or so. The orchestration of this song as it rides throughout emotional landscapes created by the band is exceptional. It's easily the best song this band has penned since “Eagle Fly Free”; and the same can be said for the entire album. Songs like “Occasion Avenue” and the bass heavy track “The Invisible Man” are far better than anything this band has been doing for a decade.