CD Review: Broadcasting The Blues: Black Blues In The Segregation Era

Most of us have listened to some sort of Blues music at some time or another in our lives. You can't have listened to popular music in the last seventy to eighty years in North America without hearing something, that's got at least a hint of that sound to it.

From Heavy Metal through to the standards of Frank Sinatra, the Blues have been the foundation that most pop music has built upon. Try and imagine what our world would sound like today if the Blues hadn't existed, and I think you'd hear the ringing sounds of silence.

Even the traditional Irish and Scottish ballads that were the backbone of the earliest country music wouldn't have made it out of the Appalachians without a generous dollop of blues music. It was that cross-pollination that gave us the earliest Country-Blues, which in turn led to Sun Records and a guy named Elvis.

The saddest part of the story of the blues has always been that the men and women, who were the writers and singers of this most influential music, toiled in obscurity and without recognition for most of their lifetimes. They'd see their songs and music being performed by young white musicians and never once received a dime for their work.

One of the sad truths of racial segregation and discrimination was that it denied a huge segment of the world the opportunity to hear some of the finest music and musicians perform. Even now early recordings of so many of these people are only in the hands of collectors or museums.

A new triple disc set by Document Records is a tiny step forward in changing that situation. Broadcasting The Blues: Black Blues in the Segregation Era is a wordy title for the set, but an apt one. Paul Oliver, the man who edited and compiled this disc, has been writing and broadcasting on the radio about blues since 1952. If you've never heard of him or his shows it's not surprising, they were on the B.B.C.

I've often wondered how people like Mick Jagger and John Lennon ever heard the blues over in England. They always talked about how much this style of music influenced them, but where on earth did they ever hear it for the first time. Well this must be part of the answer, Paul Oliver's radio shows.

Continued on the next page Page 1 — Page 2Page 3

Article tags

Spread the word
Bookmark and Share
Profile image for richard-marcus

Article Author: Richard Marcus

Richard Marcus is the author of the What Will Happen In Eragon IV? and The Unofficial Heroes Of Olympus Companion, both published by Ulysses Press. He has had his work published in print and online all over the world including the German edition of Rolling Stone Magazine and www.Qantara.de. …

Visit Richard Marcus's author pageRichard Marcus's Blog

Read comments on this article, and add some feedback of your own
  • No image found
  • No image found
  • No image found
  • No image found
  • No image found
  • No image found

Article comments

  • 1 - Jon Sobel

    Feb 14, 2006 at 12:11 pm

    Looks like a really interesting collection - guess I'll have to put this on my Amazon wish list.

  • 2 - lumpy

    Feb 14, 2006 at 1:33 pm

    Some of these guys are still alive and performing. Buying their current CDs or going to see them at a club is really the best and most direct way you can support them. And they've been dropping like flies in the last decade so do it soon.

Add your comment, speak your mind

Personal attacks are NOT allowed.
Please read our comment policy.
Please preview your comment.

blogcritics lists for May 27, 2012

fresh articles Most recent articles site-wide

fresh comments Most recent comments site-wide

most comments Most comments in 24hrs

top writers Most prolific Blogcritics for April

top commenters Most prolific Commenters in 24 hrs