CD Review: Al Stewart's A Beach Full of Shells

One might suppose, with a weary sigh of resignation, that a collection of songs reflecting on risk taking, nonsense poetry, and romance conducted via plenipotentiaries and viziers of different royal courts is not likely to appear on the Top 40 charts. So if your tastes run exclusively toward radio-ready hits and odes to, well, whatever the kids are jazzed or peeved about these days, veteran singer-songwriter-guitarist Al Stewart's work may not be your cup of tea. As even Stewart himself notes on A Beach Full of Shells, his first release since 2000's Down in the Cellar, rock and roll is "the sound of being young." That doesn't mean, however, that the older set doesn't have something worthy to say or sing or that folks past 40 can't make compelling, quality new music for fans of all ages. Quite the contrary.

From his days playing London folk-rock clubs in the 1960s, to his '70s-'80s heyday as an American hitmaker ("Year of the Cat," "On the Border," "Time Passages," "Song on the Radio," "Midnight Rocks"), to his present-day incarnation as statesman-troubadour, Stewart has shown that music of distinction most often appears on the sidelines of the hit parade. What keeps this Scottish-born artist relevant are the same things that have filled his career of 40-odd years: impeccably crafted, literate story-songs that explore olden days and modern times against a backdrop of stunningly good musicianship. These qualities seem never to grow old.

In fact, the talents of the now-60-year-old Stewart only grow richer and more potent over time. The latest proof lies in his new release: A Beach Full of Shells features 13 songs that take listeners through periods of time ranging from World War I to the late '60s to the present day. On numerous occasions, Stewart has told me that telling stories and drawing connections between the decades provide the heart and soul of his work. ABFOS continues this pattern. Through his musical tales, he points out that our fears, loves, and insecurities don't differ much from those of people who walked this earth generations ago — in the land of dream, sense memory, and instinct, our past, present, and future all roll into our here and now.

These thoughts are evoked through both his words and music. Songs such as the intriguingly mideastern "Rain Barrel," the epic and dream-laden "Somewhere in England 1915," "Mr. Lear" (which pays homage to English poet Edward Lear), and the memorable "Katherine of Oregon" show Stewart's lyrical skills and fertile imagination, already renowned, are at least as strong as ever. And with producer Laurence Juber, a longtime Stewart collaborator and Grammy-winning guitarist who once played for Paul McCartney and Wings, he has created sonic portraits that reinforce and color the stories told.

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Article Author: Natalie Davis

Natalie Davis is an award-winning journalist, progressive- and GLBT-issues activist, musician and broadcaster. Davis' All Facts and Opinions - The Armchair Activist has existed since 1996. She is general manager and program/music director of Grateful …

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  • 1 - Judth Stevens

    Sep 12, 2005 at 11:44 am

    Great review.
    I especially agree with "offers increasing returns with each listen"
    I was fairly unimpressed on first listening despite having heard several of the songs live but it has certainly grown on me.
    Somewhere in England 1915, although not my personal favourite, is an outstanding song, absolutely classic Al Stewart.
    If you think Class of 58 is good you should try get hold of the 13 minute single version.
    Jude

  • 2 - Alan

    Sep 14, 2005 at 3:48 am

    BFOS is a wonderful album and Al Stewart should be very proud of it.I have heard that he rates the songs as some of his best.
    The song, 'Katherine of Oregan' will strike a resonant shord with anyone over say, 40.
    Truly Well Done, Mr Wonderful Stewart!!

  • 3 - The Duke

    Sep 14, 2005 at 7:49 pm

    I remember on day out in Marin County... oh never mind that was Norton Buffalo and... Gawd what was his name?

  • 4 - Rosemarie

    Sep 27, 2005 at 10:55 pm

    This album was mesmerizing from the very first listen. I simply cannot get enough.

  • 5 - simon macdonald

    Oct 08, 2005 at 4:59 am

    I think this album is al stewart pinnacle although I have not got all his albums except the last three and a few in the middle in his catalogue .His voice is unique .Indeed musicianship in this album is 5 star indeed .with the excellent guitar solo in track 7.His singing is precise .In Australia only the best imports stores can get his back cataglog .His albums are indeed hard to get.If you want a rating 10/10 Anybody out their in music land pls go at buy it.you wont be disappointed .I wish he would come to Australia to tour .
    simon macdonald
    sydney Australia

  • 6 - Kevin Gossett

    Oct 20, 2005 at 10:48 pm

    Excellent review.

    You're absolutely right about Mona Lisa Talking. That's the single. It's NOT a just world, but as an AC radio Program Director (big market), I may just have to play that one.

    Don't be too surprised to hear it on your radio :-)

  • 7 - Natalie Davis

    Oct 20, 2005 at 11:48 pm

    Mr. Gossett, if you could get that song on the air, I would be ever grateful, and I know for a fact that Al would be too.

  • 8 - Natalie Davis

    Oct 20, 2005 at 11:53 pm

    Ms. Stevens, I have heard the long version. It is *awesome*. Shortly, I'll publish an interview with Al; part of it centers around the 13-minute "Class of '58." Most interesting stuff.

  • 9 - Alex

    Feb 26, 2008 at 8:10 pm

    Is there any way to hear the long version of Class of '58?

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