Bootleg Country: Pete Seeger And Big Bill Broonzy - 10/25/56 - Page 2

Part of: Bootleg Country

In no way would I consider this a brilliantly performed performance, musically speaking, for Pete doesn’t show off. He seems more interested in creating a community of music, than coming off as a musical savior. In doing so, he creates something special, something different than a simple concert. It is a communal experience akin to a religious service, or family reunion. I don’t suppose there’s anyone who has heard a Seeger concert that will ever forget the experience.

Broonzy is less talkative than Seeger, but shows his own gift of humor by asking if he can sit down whenever Seeger launches into one of his long stories. He plays his guitar with the fervor of a true prodigy and his songs gap the divide between Seeger’s folk and children’s music.

The highlight of the show is when Seeger plays what he calls the “Goofing Off Suite.” Folk music, he says, needs its own version of chamber music, for the thinking man, so he’s wrote his own high minded piece. If you’ve ever seen the movie Raising Arizona, you will instantly recognize the number. It consists of what must be the main theme of that movie, which if you’ll remember is composed of this incredibly goofy bit of banjo and the wildest bit of yodeling known to man. He even throws in the humming and banjo version of “Ode to Joy” as the middle section.

The first time I heard this I was driving in a heavily trafficked piece of down town. I’m surprised I didn’t get pulled over for all the swerving I did from the tears rolling down my face from laughing.

I am quite saddened to know that I will probably never be able to attend a Pete Seeger concert. His age and health keep him from appearing much in public. But I am heartened by the knowledge that there are these recordings, and that a man like Pete Seeger ever lived and shared his love for great music.

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Article Author: Mat Brewster

Mat Brewster is a periodic ex-pat wondering if he'll ever find a home. You can find him musing on pop culture, and obsessing over concert bootlegs at The Midnight Cafe.

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